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Alex Witt Reports - (Feb 2nd)
Rich House, Poor House - (Feb 2nd)
Call the Midwife - (Feb 2nd)
Dancing on Ice - (Feb 2nd)
Mystery Music Show- King of Mask Singer - (Feb 2nd)
Inside with Jen Psaki - (Feb 2nd)
Harlem Globetrotters- Play It Forward - (Feb 2nd)
Earth Odyssey with Dylan Dreyer - (Feb 2nd)
Love Your Weekend with Alan Titchmarsh - (Feb 2nd)
Lidias Kitchen - (Feb 2nd)
Australian Idol - (Feb 2nd)
Scars of Beauty - (Feb 2nd)
Oceanfront Property Hunt - (Feb 2nd)
All Elite Wrestling- Collision - (Feb 2nd)
Lakefront Luxury - (Feb 2nd)
Jesse Watters Primetime - (Feb 2nd)
Hannity - (Feb 2nd)
Special Report with Bret Baier - (Feb 2nd)
The Ingraham Angle - (Feb 2nd)
Married at First Sight UK - (Feb 2nd)
**The fast approach romance, fades away slowly.** I knew it was a romance film, but totally unexpected what I just saw. It was different, that's all, other than that there are many similar films that were already made. The film's focus was not the characters, but the phases and the pace of a romance. The love at the beginning and the same love at some time in the latter. The differences what the film highlights. But it's impossible without the characters and their perspectives. So, from the beginning to the end, how a romance can evolve, how it influences other around, all the fun, crazy stuffs, is the film. The film was partially inspired by the director's own married life. Nice casting and performances. I felt like there was no depth in narration. Depth means, you can't understand the characters fully. Everything it lets you know are the events from where the film begins. So basically it is all about the romance and nothing else. Not even their professions, or the friends and any side incidents, except those topics were used in places in a small quantity to fill the void and make a clean flow of the story. The whole two hours is like about an insane romance. Again, that part divides into two, the first half of the film and the next half. In the first half, it's all about the initiation. Girl meets boy, instantly fall in love with each other and do crazy things to build the character. It seems like any romantic film, but it all necessarily designed to manage what follows in the later part. Apart from the two who are well positioned from their professional level, it looked kind of like a rich guy meets an economically average girl. Then entering his world, and beginning to taste the royal lifestyle, as well as a sweet romance. The story was mainly told from the woman's perspective. The narration had double layer, going back and returning to present, the two timeline story was revealed to us. > ❝I prefer not to be in love and not get hurt.❞ The woman seems intentionally met with an accident in the opening, and she begins to remember her recent past. Her unexpected crazy romance with a rich playboy. While recovering from the knee injury, she makes some friends and they all help each other to come out of their struggle. On the other side of the narration, revealed everything she went through. Not just a happy love story, but struggles over the time pass by. Having a child, being parents, the life drastically changes for both of them. Yet their love and care for each other remains somewhere in the deep of their hearts. Then there is a life, every moment is unpredictable. So how it ends was not that I surprised, because of its realistic. At one point, I thought it could be the French 'The Notebook'. It did not have emotional end. I'm not saying about sad or happy ending, but the film was honest to the real world. How the second half turned out was the excellent twist in the narration, but done with slowly. This was about the people in their late 30s or 40s. That makes the film is mainly for middled aged people. Otherwise, if the characters and their generation were brought down to like the 20s, the film would have been totally another level. And would have had a more target audience. That's what most of the Hollywood films focus on these days. The same film in Hollywood would have been one of the frontrunner for the Oscars. The performances were really great. Particularly Emmanuelle Bercot was awesome. As usual, Vincent Cassel showed his class, proved why he's one of the top stars in France. I thought two hours was a bit long, but the writing was good, they had filled the film nicely with the events that helped further to grow stronger in the following scenes. Despite I consider it a nice film, I don't think everybody would enjoy. They might like it at the end, enjoy watching is not that comes along. Because it is not an entertainment film, nor an art. As I said before, realistic about the relationship and its maturity in the modern world. The other options for the relationship, despite putting all the efforts to save it like people did in the previous century. So, all I say is choose it wisely. _7/10_
Agnès Dormes, a famous opera singer, saves Julie, a baby girl who was about to be sacrificed during a black mass. Twenty years later, the baby has turned into a beautiful energetic twenty-year-old young lady determined to find out about her origins. In Avignon, Julie manages to meet Agnès and discovers on the occasion she is not her real mother. A series of adventures will ensue and at a time Julie is nearly burned on the stake. But she eventually achieves her end and can marry, a street performer close to her heart.
A New York schoolteacher hits a midlife crisis when, in quick succession, her husband leaves, her adoptive mother dies and her biological mother, an eccentric talk show host, materializes and turns her life upside down as she begins a courtship with the father of one of her students.
A mild-mannered bank executive mentors a teenage con artist and tries to make a career change as a doughnut merchant.
Nora Wilder is freaking out. Everyone around her is either in a relationship, married, or has children. Nora is in her thirties, alone with job she's outgrown and a mother who constantly reminds her of it all. Not to mention her best friend Audrey's "perfect marriage". But after a series of disastrous dates, Nora unexpectedly meets Julien, a quirky Frenchman who opens her eyes to a lot more than love.
Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.
Set in South Carolina in 1964, this is the tale of Lily Owens a 14 year-old girl who is haunted by the memory of her late mother. To escape her lonely life and troubled relationship with her father, Lily flees with Rosaleen, her caregiver and only friend, to a South Carolina town that holds the secret to her mother's past.
A man vacationing in the country with his wife and children finds ideas he has of himself unexpectedly challenged.
'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".
After serving time in prison, former drug addict Sherry Swanson returns home to reclaim her young daughter from family members who have been raising the child. Sherry's family, especially her sister-in-law, doubt Sherry's ability to be a good mother, and Sherry finds her resolve to stay clean slowly weakening.
Rachel can't stop herself from falling in love with Paulie, the woman who helps her try on wedding gowns.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.