Cabrini 2024 - Movies (Oct 2nd)
Finding Tony 2024 - Movies (Feb 27th)
Gladiator II 2024 - Movies (Feb 27th)
Bookworm 2024 - Movies (Feb 27th)
Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 26th)
Red One 2024 - Movies (Feb 25th)
Heretic 2024 - Movies (Feb 25th)
Hellboy The Crooked Man 2024 - Movies (Feb 25th)
Eric Clapton Unplugged… Over 30 Years Later 2025 - Movies (Feb 25th)
Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
American Sports Story - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Swamp People - (Feb 28th)
Fugitive Hunters Mexico - (Feb 28th)
Next Level Chef - (Feb 28th)
Love Is Blind, Habibi - (Feb 28th)
TNA iMPACT - (Feb 28th)
Southern Hospitality - (Feb 28th)
Going Dutch - (Feb 28th)
Impractical Jokers - (Feb 28th)
Tyler Perrys Sistas - (Feb 28th)
The Last Word with Lawrence ODonnell - (Feb 28th)
Yellowjackets - (Feb 28th)
Animal Control - (Feb 28th)
The Rachel Maddow Show - (Feb 28th)
Law and Order- Special Victims Unit - (Feb 28th)
The Beat with Ari Melber - (Feb 28th)
All In with Chris Hayes - (Feb 28th)
The opening film, The Lost Paradise by Anil Krishnan, is a silent film about a convict who is released from prison and makes his journey home. It is cloyingly sentimental and the background score is filled with wailing violins that keep nudging us to empathize with the character. Gopakumar's Agavizhi is a genuine head-scratcher (it's a compliment, by the way) involving a triangular romance that as the filmmaker puts it in the end is about the collision of subconscious minds. It if filled with inner monologues (and English dialogues) that will make Gautham Menon blush. Puzhu is perhaps the most audacious film of the lot. The director, Charukesh Shekar, throws us directly into the climax of a story and we see two fatally injured men, burning with hate for one another, scrambling to kill the other first. It is shot in black and white with wide shots of the rocky, desolate landscape and extreme close-ups of the two men which give it the effect of a Western. Next, we get a "message movie" in the form of Nalladhor Veenai, which is directed by Monesh. It is about a teenaged school student being sexually abused by his tuition master trying to save a fellow student and it checks all the "message movie" cliches, confusing in-your-face treatment for hard-hitting storytelling. Madhu is totally mainstream. It is about a loser (someone who "has arrear in committing suicide") who tries to end his life one more time after the girl he is love with gets engaged, and his two friends try to stop it with the help of the girl. The director, Rathnakumar RM, has a light touch and the lines are genuinely hilarious with some of the vibe of Siva Manasula Sakthi, though he makes an ill-advised decision and slaps the tale with an extended bittersweet ending. But don't be surprised if this short, like Pannaiyarum Padminiyum and Mundasupatti, becomes a feature film in the near future. The final film, Neer, is by Karthik Subbaraj and takes place on a fishing boat in mid-sea, and is about three fishermen (one of whom is played by Vijay Sethupathi) and their encounter with the Sri Lankan navy. You are reminded of the film Neerparavai at some point but it is a quietly powerful that manages to quietly make a political statement as well. Given that even feature films find it hard to get screens these days, the fact that Bench Talkies has managed to find theatres is in itself an achievement. And, as a first-of-its-kind initiative, it makes for a good enough watch, though some of the films and the filmmaking clearly have not managed to transcend the Naalaya Iyakkunar ethos.
Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Laughter and Grief by the White Sea is a 1987 Soviet traditionally animated feature film directed by Leonid Nosyrev made at the Soyuzmultfilm studio. The film is a celebration of the culture of the Russian Pomors who live around the White Sea.
Written and directed by Sergio Pastore in 1969. Il diario proibito di Fanny is an anthology film starring Giovanna Lenzi as four different women, all named Fanny. The film touches upon all the hot-button issues of 1968: illegal immigrants from the Eastern bloc, the Prague Spring, the Italian star cult and even abortion.
Social ballad. Three short stories – "Uzlík tepla", "Chlapec a pánboh" and "Rubári" – depict three different human stories, the common denominator of which is suffering and existential threat.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 1: Hard Love contains nine complete films: Hong Khaou's "Summer" starring Peter Peralta and Jay Brown; Michael Simon's "Gay Zombie" starring Brad Bilanin, Ryan Carlberg, and Robin McDonald; Jason Bushman's "Serene Hunter" starring Eric Debets, Flannan Obé, and Jonathan Blanc; Timothy Smith's "Le Weekend" starring Omar and Fernando Peres; Jean Baptiste Erreca's "Cowboy Forever" featuring Govinda Machado de Figueiredo and Jones Carlos Fialho de Araújo; Damien Rea's "Scarred" starring Chris Anderson, David Durham, and Lara Cazalet; Tim Hunter's "Packed Lunch" featuring Kevyn Boemia, Chris Sayers, and Steven Quigg; John Winter's "Mirror Mirror" starring Roy Billing; and Maxwell Barber's "VGL-Hung!" starring Marcus Proctor, Jeff Chandler, and Ashley Ryder.
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 3: American Boy contains seven complete films: Adam Salky's "Dare" starring Adam Fleming, Michael Cassidy, and Marla Burkholder; Jody Wheeler's "In The Closet" starring J.T. Tepnapa and Brent Corrigan; Dennis Shinners's "Area X" starring Matt Schuneman and Antony Raymond; Julian Breece's "The Young & Evil" starring Vaughn Lowery, Diana Elizabeth Jordan, and Reggie Watkins; Brian Krinsky's "Dish :)" starring Matthew Monge, Jeff Martin, and Octavio Altamirano; Carter Smith's "Bugcrush" starring Josh Caras and Donald Cumming; and Kyle Thomas Coker's "Astoria, Queens" starring Aaron Michael Davies, James Heffron, Sangeeta Parekh, and Hayley Thompson-King.
Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.