Входящая В Море

The love uncertainties of a young homosexual in search of himself.

Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?

West Germany, Christmas Eve, 1971. 7-year-old Kimîa captures her family’s celebration through the lens of her Super 8 camera. But the mood changes when her mother, Hanna, discovers her husband’s plans.

Every year, thousands of people coming from Africa try to reach Spain in desperate and dangerous journeys across the Mediterranean. Tariq is a young Moroccan who works for a mafia that organises these illegal journeys. His job is to carry immigrants in a dinghy across the strait and not getting caught. But every trip might be the last one.

A group of teenagers riding in a car for a picnic. On the way, one of the guys accidentally shoots a kidnapped girl from a car overtaken on the phone. The guy decides not to tell anyone anything, and soon terrible things start happening to him.

A dark musical about Iara, an ordinary girl who starts to work in a mental institution for women.

An ambitious artist is to present his magnum opus, a time controlling device, at a gala in his nemesis' museum. Getting him into the device is the perfect opportunity to exert revenge and create the ultimate art piece. Stakes rise when the artist's ex-wife volunteer to test the machine instead.

The man, the hill, the shack.

An argument between two families in a thrift store erupts into a full-scale brawl.

In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies. This short documentary shows the capital of the Cameroon, Yaondé, but might equally show other African cities: heaps of rubbish lie at the edge of streets, academics are out of work, officials unpaid, corruption is the norm, and misery everywhere. For Jean-Marie Teno 'colonization, civilization, independence, then humanitarian talk are merely excuses and theatrical gestures to ensure that Africa remains the place which foreign powers can exploit with a good conscience.'