War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Love Hurts 2025 - Movies (Mar 27th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Well that surpassed all my expectations! I thought: "A Christmas musical film? Uh oh." I've stated before that musicals are not my favourite, I usually struggle to get into them due to their discombobulated nature. However, to my surprise, I thoroughly enjoyed 'Babes in Toyland'. The ending does fall flat minutely, but everything up until that point is a true joy. The opening scenes are terrific. Are they utterly random? Yes. Does it really make any sense? Heck no. Was I smiling? I sure was! "We Won't Be Happy Till We Get It" is a great opener to Barnaby & Co. Barnaby is portrayed very well by Ray Bolger, with his side-kicks acted by the fun duo of Henry Calvin (Gonzorgo) and Gene Sheldon (Roderigo) - two who I liked in 'The Sign of Zorro'. Tommy Sands (Tom), Annette Funicello (Mary) and Ed Wynn (Toymaker) are also good. As noted, the conclusion is what knocks my rating down ever so slightly. It isn't even a bad way to wrap things up, it just isn't as entertaining as what occurs beforehand. The other stuff is grand though, the film knows it's somewhat bonkers and commits to it positively. I'm not a big fan of musicals so I'm probably not the best person to ask about the genre, but all I can say is that I really enjoyed this.
When Blitzen announces his retirement on December 21st, a miniature horse has 3 days to fulfill his lifelong dream of earning a spot on Santa's team at the North Pole try-outs.
In this Chinese version of The Phantom of the Opera, the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.
When the Earl of Gurney dies in a cross-dressing accident, his schizophrenic son, Jack, inherits the Gurney estate. Jack is not the average nobleman; he sings and dances across the estate and thinks he is Jesus reincarnated. Believing that Jack is mentally unfit to own the estate, the Gurney family plots to steal Jack's inheritance. As their outrageous schemes fail, the family strives to cure Jack of his bizarre behavior, with disastrous results.
A rich cross-section of urban USA find their lives changed when their fates collide at gunpoint. At the centre of it all are Helen and Warren Harding, an up-scale couple on the brink of divorce, whose awakening in the night by a burglar sets off a catastrophic series of events.
When Haley Hollis returns to her family ranch to try and save it from closure, she wasn't banking on spending so much time with ranch hand Kate - or falling for her.
Love Thing captures the emerging multicultural spirit and personal freedom of the late 1970s with an outrageous attitude and experimental style. A work in progress now finally completed it's the last American musical comedy from that era which can be viewed today as a prophetic satire. Through its provocative, entertaining storyline highlighted by song and dance, the movie answers the burning question of our time, "What happens after the marriage?