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"If you thought Guy Pearce was a scumbag in part 1 just wait 'til you see part 2! If you thought Guy Pearce was a scumbag in part 2 just wait 'til you see part 3! If you thought Guy Pearce was a scumbag in part 3 just wait 'til you see part 4! If you thought--" _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**The trouble that had never let her alone.** A story about America, Hollywood cast, but produced and directed by outsiders. A powerful film. Kind of mix of 'No Country for Old Man' and 'Les Miserables'. The narration divided into four parts. The first episode called Revelation. An introduction life around Liz, but full of suspense after every unexpected turn in the story. Then in the second episode called Exodus, a young girl, Joanna introduced and following the third knows as Genesis, goes ever further back into Joanna's life, before returning to Liz's in the fourth known as Retribution. Maybe Dakota's best performance being an adult actress. As well as the young actress Emilia Jones. They both had played the same character, but in a different timeline. Interestingly, in real life, they share the same birth day and month as mine. From one of the film poster, I thought it was Michael Sheen. Only realised while watching the film that it was Guy Pearce. From writing to the making, it was a very good film. But the story could make some people uneasy. Because everything that's happened between the people and their relationship, not for soft guys. Yet it is a must see thriller, a must see western. _7/10_
A congregation dressed in black, hymns being sung flatly, an evil preacher, an abortion scene in the first 15 minutes... I should have known from the title that it wasn't the good western that the cover image conveyed. I could not make it through 20 minutes before I had to shut it off. It's a movie which seems determined to slander the most beautiful message that exists - the message of Jesus Christ. It is also another point of evidence that rated "R" and "MA" movies simply means "movies not worth poisoning your brain with". The actors were great. They played the roles well. But the subject material, the script, and the very idea of it is not worth consuming. **Psalm 10:4-6** **4** The wicked, through the pride of his countenance, will not seek after God: God is not in all his thoughts. **5** His ways are always grievous; Thy judgments are far above out of his sight: As for all his enemies, he puffeth at them. **6** He hath said in his heart, I shall not be moved: For I shall never be in adversity.
An extremely grim and unsettling horror-Western with an interestingly structured plot, ‘Brimstone’ can be found either disgusting or superb; I'll go with the latter. 8/10
**A good Western, despite its weaknesses.** Many decades ago, Italian Western films were a huge success and guaranteed the careers of several actors, such as Clint Eastwood, and directors like Sergio Leone. This film, however, is neither Italian nor American: despite being spoken in English and featuring North American actors, it is a film directed by the Dutch (Martin Koolhoven and his team), shot in Spain and where Hungarians and Austrians also collaborated. Out of this Babel of nationalities, however, emerged a good Western film. The plot is the strongest point of this film, which wonderfully works the epic style and a tension that grows, chapter by chapter (was I the only one to see in this chapter organization and non-linear narrative some influence by Tarantino?). I won't reveal too much about the plot, but I think I won't spoil anyone's enjoyment if I say that everything revolves around a young woman who tries to escape from a crazed Protestant pastor who is determined to kill her, no matter the place or the circumstances. The film builds an absolutely detestable and maniacal villain, and gives the female character the gifts and strength to defeat him, and to captivate us with sympathy. The film is not perfect, there are logic flaws, continuity flaws and absurd situations. But the film nevertheless entertains the audience very well. Guy Pearce stands out the most, giving life to a captivating and execrable villain. The actor is excellent and gives us the best work of his career so far. Dakota Fanning holds the central female character and handles the task at hand well, but I felt several times that she doesn't have a challenging task. Kit Harrington can complain even more, since he saw his character killed early and didn't have time to show talent, despite the film being almost two and a half hours long. Regarding the length, I am of the opinion that it would have been better with about thirty minutes less, and that this denotes a certain sloppiness in the editing and in the selection of the scenes that should have been in the final cut. The film is impactful, it is quite violent, realistic and not suitable for teenagers, impressionable people and animal lovers (as far as I know, no one was hurt in the filming, but there are several intense scenes that include animals). The sets and costumes were very well-designed, despite the fact that the film works in a certain temporal limbo in which it is very difficult to have a sense of the time in which everything happens (somewhere between 1880 and 1910?). The scenarios are also very good, and the soundtrack was very well conceived.
Yeah, another Western, had to wait for the wife to not be home so I could dive into a genre she hates. Anyway, it's odd how sex and nudity seem out of place in westerns given that in real life prostitution thrived. Historically a lot of what this film is about could be true. But... it doesn't feel like it should be in a Western. Racism and violence, yeah, those can make it in and feel right. Prostitution, certainly... but in a not seen sort of way. But I don't know, it's a lot of John Wayne and Jimmy Stewart with Clint Eastwood bringing up the rear that sort of defines the genre for people my age. That being said... it's dark. But it's done right, and it's well acted, and it plays on the emotions something fierce, it's well acted, it's moody. In other words it's an insanely well done movie, despite that fact that it deals with subject matter that you don't expect coming into a western. Insanely well done.
After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre occurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
Upon learning that he has to come out of retirement to steal 50 cars in one night to save his brother Kip's life, former car thief Randall "Memphis" Raines enlists help from a few "boost happy" pals to accomplish a seemingly impossible feat. From countless car chases to relentless cops, the high-octane excitement builds as Randall swerves around more than a few roadblocks to keep Kip alive.
In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind.
Based on real events, Canada's most notorious serial killers, Paul Bernardo and wife Karla Homolka kidnap, sexually abuse, and murder three young girls.
Rogue agent Gabriel Shear is determined to get his mitts on $9 billion stashed in a secret Drug Enforcement Administration account. He wants the cash to fight terrorism, but lacks the computer skills necessary to hack into the government mainframe. Enter Stanley Jobson, a n'er-do-well encryption expert who can log into anything.
Alex Thomas was the man in charge of protecting the president but, when the time came to fulfill his duties, everything just went wrong. His conscience haunted by a bullet, and his devotion to his country stronger than ever, Alex teams with a seasoned reporter to navigate a treacherous web of lies, unlocking a dangerous conspiracy, and enter a deadly world in which skilled assassins and highly-trained ex-special ops lurk in every shadow.
The Dalton gang escape to a nearby town after a train robbery goes south, but they are met by a coven of witches with sinister plans for the unsuspecting outlaws.
Michael manages to free himself from Laurie Strode's trap to resume his ritual bloodbath. As she fights for her life from injuries from their last encounter, she inspires her daughter Karen, her granddaughter Allyson, and all of Haddonfield to rise up against the unstoppable monster.
George is a small-time crook just out of prison who discovers his tough-guy image is out of date. Reduced to working as a minder/driver for high class call girl Simone, he has to agree when she asks him to find a young colleague from her King's Cross days. That's when George's troubles just start.
A group of delinquents are sent to clean the Blackwell Hotel but little do they know reclusive psychopath Jacob Goodnight has holed away in the rotting hotel. When one of the teens is captured, those who remain band together to survive against the brutal killer.