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With mankind reduced to living amidst a god-fearing zealousness in a city under a mountain where they are ruled by a decrepit overlord and his much younger queen (Amara Okereke), it would appear that their only hope of salvation from that salvation rests with the witch “Gray Alys” (Milla Jovovich). If she can make direct eye contact with you, then she can manipulate what you think and see. She has only narrowly escaped the “Enforcer” (Arly Jover) when she receives a couple of visitors who ask her for a favour. She cannot decline their request so long as they pay, and so must accept their challenge to obtain a shape-shifting wolf for them. The only place that this could be found is in the lawless “Lost Lands” and for that she needs the help of the legendary hunter “Boyce” (Dave Bautista). He hasn’t his troubles to seek either, but after a bit of mutual rescuing, they ally and set off on their quest. Of course, the “Enforcer” is in hot pursuit on an heavily armoured train and so with volcanoes, demons and her crusading troops on their tails it’s not easy task to stay alive in the first place let alone track and catch their quarry. By about half an hour in, we have plundered just about everything from “Indiana Jones” via “Lord of the Rings” (I’m sure I saw “Treebeard here”); “Underworld”, “Harry Potter and the” (take your pick) and, of course, “Mad Max” as this derivative dystopian story lumbers along in an entirely predictable fashion. There’s not the slightest hint of chemistry between the two stars at the top of the billing and what jeopardy there is comes straight from the CGI folks who do, admittedly, manage to create quite an imaginatively crafted world of dilapidated human civilisation to compensate for the writer’s rather mundanely crafted one of human collapse. It’s not remotely scary and the combat scenes are repetitive; the scheming and plotting with Okereke and her eye-candy henchboy “Jerais” (Simon Lööf) are lacklustre and the conclusion leaves virtually nothing to the imagination, even in the dark! It’s an easy way to kill some time in a cinema, but I doubt anyone will ever remember it afterwards - even if you were in the thing.
'In the Lost Lands' is oddly one that didn't do it for me. I say oddly because I really enjoyed all of the cast here, it's just the story that totally failed to claw me in; I honestly would struggle to give you a suitable recap of the plot even so soon after watching it. Those onscreen, however, are all pluses. Dave Bautista is good, so is Milla Jovovich. Arly Jover works, as do Amara Okereke and Fraser James. Simon Lööf is the weakest main cast member and even he is fine. It is rare for me to not like a film where the cast bring positive displays. The world built and the effects used looked pleasing enough to me too, it really is just the plot that hampers this one for me personally. That's a shame, really. It feels like a missed opportunity.
"in the Lost Lands" is a basic watch, accompanied by a dose of the by now predictable, DEI indoctrination. This feels like a paired down "Resident Evil" sci fi, with a medieval fantasy overlay and a few spaghetti Western elements, thrown in. You could also draw comparisons, to the series "Into the Badlands" but this film is nowhere near, as polished or engaging. This a fundamentally, a simple, exposition driven affair, with a basic story, incorporating the usual DEI prerequisites and a lots of CGI green screen, "not so special", effects. Acting from the cast actually lifts this film somewhat but it never really escapes, the prison of its own self imposed, mediocrity. In summary, if you like sci fi, fantasy mash ups, you'll probably find this a "mostly" acceptable, if unremarkable watch.
When a horror film based on the same source material as Suspiria and Inferno goes into production, the evil witch the story is based upon manifests herself and not only begins to terrorise the actress set to portray her on screen, but reveals plans to wreck havoc and bloodshed throughout the world.
On the night of his eighth birthday, Pablito mourns the loss of his Amá. However, his spirits are lifted when his Abuela tells him a fairytale about La Bruja Del Mar, a mystical witch longing for a son.
A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family. The film version of the stage production was shot during the play’s 2022 run at the Imperial Theatre in Tokyo.
"Kin no Tori" is an adaptation of the homonymous fairy tale "The Golden Bird" by Brothers Grimm. A golden apple is stolen from the King's garden. The King orders his three sons to guard the apples in turn and to find out who is the thief. When the youngest son, Hans, presents a feather that he got from the golden bird that stole the apple the king sends his three sons to bring this bird to him and so Hans' journey begins.
Plagued by strange memories, Neo's life takes an unexpected turn when he finds himself back inside the Matrix.
A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.
A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil.
Recluse Smith is drawn into a revolutionary struggle between guerrillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith tries to maintain an attitude of non-violence while caught between warring factions.
Three brothers leave their home to see the world. During their journey, young men as by miracle enter into famous fairy tales (Little Riding Hood, Sleeping Beauty, Twelve Months) and face traps, unexpected moments and even love in a story full of humor and songs.
In the nuclear ravaged wasteland of Earth 2087 water is as precious as life itself. The isolated Lost Wells outpost survived the holocaust and the inhabitants guard the source of their existence. Now an evil cult of renegades want control of their valuable water supply. And the villagers are no match for such brute military force. Only one man can help the stricken community - a mercenary living in a distance cannibal city. But even he, and his strange henchmen, may not be able to survive in the world gone wild.