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The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.
Peter who tries to find his place in the world of classical Indian music embarks on a journey that helps him evolve personally, spiritually and musically.
A 1950s London cleaning lady falls in love with an haute couture dress by Christian Dior and decides to gamble everything for the sake of this folly.
It's the first day of school in 1992, and Daniel can't find a way to explain the strange reason why he was late for school. His mild punishment will be to wait for the time change in his schoolyard.
Journeying across Varanasi, Lucknow, and Muzzafarpur in India, this documentary film traces the lost traditions and the culture of tawaifs (courtesans of North India), particularly through a song sung by Rasoolan Bai, "Lagat karejwa ma chot, phool gendwa na maar" and its lesser known, earlier version "Lagat jobanwa ma chot, phool gendwa na maar" (recorded in a 1935 Gramophone recording). Weaving the past with the present, the film spans between personal stories as it interacts with historical events, ultimately leading to the decline of a great art form.
Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.