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*** This review may contain spoilers *** A strange choice for Joel's final episode of MST3K, but it's hard to imagine what would be a more appropriate choice. Maybe one of the Russo-Finnish things they covered, like "Sinbad", or "The Day the Earth Froze" (to end on a high note), or "Monster-A-Go-Go" (which embodies the essence of all the crap that MST existed to make fun of.) I understand why some people don't like Joe Don Baker movies, but my own judgments of his films are influenced memories of one of my best friends in college (since passed away, alas). My friend was an older ex-Army sergeant who was a lot like Baker in many ways, and who would undoubtedly see a lot of himself in Baker's screen persona. A couple of tours of duty in the Army as an enlisted man and non-com had turned him into a self-described "FFS" (Fat F***ing Sergeant): an overweight, dyspeptic, burned out, cynical, hard drinking sad sack. But if you got to know him and got past the outer shell, he was one of the best friends a person could ask for; intelligent, loyal, generous, kind, and hard-working to the point of being a workaholic. I think that my friend would look at Baker's character in this film (and in "Final Justice") and see Mitchell in the same way he saw himself: someone who doesn't seem at all glamorous or fancy, but still can do whatever it takes to get the job done. And that's the whole point of Baker's character in "Mitchell": he doesn't look like anyone's idea of an 'action hero', but underneath the flab and the bad attitude is an incorruptible 'real man' who can kick the pretty boys' butts when the chips are down and who stays the course in spite of every obstacle and distraction that would stop a lesser, 'metrosexual' blow comb user. And if the movie does anything well, it at least gets this point across. It seems to me that Joel and the gang took any excuse to hammer on Baker when the he and his movie weren't really any worse than most of the stuff that came out at the time. In other words, they struck an attitude and then made up 'straw man' targets to attack to justify their attitude, hoping that the sheer venom of their rhetoric would keep the audience from actually making their own decisions...just like Dennis Miller does in his rants. Baker is somewhat heavy, yes, but he's no Charles Durning or Sidney Greenfield (two actors who you DID expect to have a coronary in any given scene). And his character is somewhat unkempt, but the whole beer/baby oil/revulsion thing they paint for him is at least three notches worse than what the movie presents. You don't believe for a moment that Linda Evans would ever go to bed with Mitchell, but OTOH the results wouldn't be nearly so revolting as Joel and the Bots would have you believe. So.. no, not a good film by any means. But approach it with an open mind, and you'll have a watchable cop flick with a twist on the usual 'action hero' casting and formula. - lemon_magic
The arcane powers of Mandrake the Magician take on the forces of Killing, the king of crime.
When her husband goes missing during their Caribbean vacation, a woman sets off on her own to take down the men she thinks are responsible.
Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.
Promising fund manager Jae-hoon is at the brink of losing everything when his company goes bankrupt. Overwhelmed by despair, he takes an impulsive trip to Australia where his wife and son live. As his trip nears its unexpected end, Jae-hoon gets a chance to look back on his life.
The life of labor lawyer and dedicated family man Robert Clayton Dean is turned upside down after a chance meeting with a college buddy while holiday shopping. Unbeknownst to Dean, he's just been burdened with a videotape of a congressman's assassination. Hot on the trail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious NSA official named Reynolds. Using satellite surveillance, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves while also framing him for murder. With the help of the mysterious Brill, he attempts to throw the NSA off his trail and prove his innocence.
When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.
A taxi driver is found dead, and Hyun-woo, the only witness, charged with a murder and serves 10 years in prison. While offering pro bono services, a lawyer Junyoung meets Hyun-woo, and they begin their journey to prove his innocence.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
Anna Moore, a poor orphaned country girl, and her little brother, Tommy, live with hypocritical Squire Simpson, who conspires with his son to acquire the inheritance due the girl.
