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**Spoilers** The live action remake of "Beauty and the Beast" was good, but it failed to capture the magic of the cartoon version. There were somethings that they got right, and others that dragged on. I thought "Be Our Guest" was done beautifully. The 3d made it even more enchanting. The main characters' backstories also added some depth to them. However, there were some scenes that I felt added nothing to the story. Such as the search for Belle by Gaston and her father. The "No one is like Gaston" scene didn't have the bravado or arrogance of the original. I also felt that Luke Evans was miscast. He wasn't the handsomest guy in town, nor was he the strongest. Which is why it was hard for me to accept him as the character. Emma Watson was serviceable. Her voice was fine, but it wasn't strong enough to carry Belle's songs. Dan Stevens was the best part of the film. I felt that he should have had more songs, because he has a beautiful baritone. Although his beast costume should have been more frightening. Overall, it's a fun film to watch. Though, I wouldn't call it a classic.
Disney's done a great job with Gaston and The Beast, the two aspects that I always thought would be the most important, and the most difficult, to nail. _Final rating:★★★ - I personally recommend you give it a go._
**Only beauty would conquer the beast!** This is not the first time screen adaptation, that means every one of us have seen either version of the films according to what generation we belong. Mine was the animated one and then there was a modern-day version called 'Beastly'. Not to forget there's a recent French version made on the big scale that I yet to watch. So it's not about the story at all. It is about the quality of film, performances, and particularly how the modern technology used to narrate the story. Like the recent Disney's live-actions 'Cinderella', 'The BFG', 'The Jungle Book' and many more, this is another excellently adapted film from the book. Though visually it tried to be true to the original, and that's absolutely great thinking. Because in this modern world, we all try something new out of the original contents for sometimes to mess it up. Excellent casting, the beauty was the best pick among all. The graphics were awesome. The CGI beast was flawless, yet that usual dark and cloudy atmosphere helped it to be so perfect. Since it is listed under Musical, I was worried about the songs. I truly don't like modern Musicals. But this film was not completely filled with songs. Yes, there were like half a dozen, but good ones. Retained the songs from the 1991 film, and in addition three new were composed. I did not think the Disney would get away with consecutive successes. Great achievement, and their attempts were very precautionary on their every step. Now this is Disney's second highest grossed film ever and first in live-action. The film was for all ages unlike old Disney films. That's the best thing about the modern Disney films that they have adopted. Definitely recommended for at least once watch it. _8/10_
JUST INCREDIBLE > I fell in love with that movie!The actors performed fantastically and the effects were so well-maid.It is a classic movie.The best Beauty and the Beast version!!The alive castle was so magical,the effects so realistic and the characters so sympathetic...It was just PERFECT!
What a fantastic movie with great graphics. I was amazed at how well the beast was rendered, you never had to think about the fact that it was CGI. The story kept my entire family interested and scared to leave for popcorn. My only concern was the gay references, I don’t think there was any added value other than shock, and **I don’t like shock in my Disney movies**. Moving forward, the story was easy to follow and it followed the typical Disney Princess theme perfectly. The singing was delightful and the cast did a great job making the moment real. I think this movie will stand the test of time just as the original.
**An admirable adaptation of a classic tale.** One of the best live-action Disney adaptations, even though that isn’t difficult to achieve, Beauty and The Beast (2017) excellently transports the audience into the magical world of the Beast’s magical and cursed castle. The scale of the tiny claustrophobic village contrasted with the grandiose halls of the enchanted clearly presents the different worlds of the main characters despite grappling with the same loneliness. The cast has two major standouts in Luke Evans’ Gaston and Ewan McGregor’s Lumière. The aesthetics and CGI of this movie are stunning and enhance the film rather than distracting, which would be so easy with so many computer-animated characters.
Very disappointed in this movie. I was expecting it to be as good as the cartoon one, but it wasn't. It was actually kind of boring. I also didn't buy in to thier chemistry at all. It looked really cool though.
A little like "Into the Woods" (2014) this is a technically ambitious attempt to reconcile animation and live action with an excellent cast. Again, it works spectacularly as a piece of cinematic innovation - but has no spirit. We know the story: a vain Prince is cursed by a sorceress to remain shut up, hideously disfigured, in his castle until the spell is broken by true love's tear. "Belle" (Emma Watson) does well to keep this almost Ziegfeld-esque extravaganza on track. She manages to avoid the amorous intentions of Luke Evans as "Gaston" before ending up doing the prisoner swap for her father in the castle of the Prince - an extremely well made up Dan Stevens. The additional voice cast line up is great - Kevin Kline, Sir Ian McKellan, Ewan McGregor, Emma Thompson and Stanley Tucci. The songs are reprised from the 1991 version of the story but without the charm and mischief of their original iterations; they are just too precise and dare I say "professional". The technology has now super-subsumed every element of the process to the point that it is almost clinically delivered. The characters and story are still great, but please, Disney, leave something a little rough around the edges for us....
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
Rahul Joshi wants to be a successful businessman so he works hard for his boss Siddharth. One day Rahul meets Seema, an up and coming model, and he feels like he's finally met his match. Will Seema fall for Rahul?
Trapped in their frames and monitored by a menacing curator, two paintings long to escape from the art gallery's white walls. As the paintings lock eyes across the room, an unspoken connection between them sets the stage for revolution. With a distinctive blend of live-action and animation, this short film by Evan Bode employs surreal metaphor to explore ideas about power, resistance, queer identity, visibility, and liberation from constructed borders.
Woodcarver Geppetto carves a puppet resembling his recently deceased son from a block of wood discarded at a crime scene, and it's cursed by Agatha, the priestess of a dark cult. As Pinocchio turns into a vengeful killer, teenage Charlie and his mother Nancy arrive in the town looking for a fresh start. Meanwhile, a detective named Georgina starts investigating Agatha’s crimes. The characters intertwine with some tragic consequences.
Longing for an escape from her ordinary life, a young woman searches for it in the walls of a magic bookshop, where each book is a gateway to a new world
After picking up a strange but hypnotizing gem on the street during her walk back home, Hope, an everyday woman begins her striking transformation into a fearless creature. Intimidating at first, Hope ends up letting herself bask in the glory of her darkest desire.
In this musical, a songwriter goes to court to claim the rights to his song that was stolen by an unscrupulous music publisher. He brings his girlfriend with him. Also going to court are the Jubilee singers, hillbillies, and some cowboys and Indians who demonstrate that the composer wrote his song by rearranging four folk tunes. He wins his song back and $50,000 in damages. Songs include: "Heading Home," "Roll Along Prairie Moon," "Tender Is the Night," "You're My Thrill," "I'm Bound for Heaven," and "The Army Band."
Walt Disney was the true visionary and his most far-reaching vision examined the future. During the 1950s his investigation into space exploration and the wondrous opportunities and challenges of space travel not only came alive in several Disneyland TV shows, but helped create strong public support for The United States space program.
Although Ramachari falls madly in love with Alamelu, her parents forbid their marriage and force her to marry another man. But Ramachari can't stand idly by when he discovers his sweetheart's husband has become her pimp. Quietly aiding Ramachari on his quest to save Alamelu is Chamayya, a childless woman who loves him as much as if he were her own son.
On Anna's birthday, Elsa and Kristoff are determined to give her the best celebration ever, but Elsa's icy powers may put more than just the party at risk.
Liza is a naïve, lonely 30-year-old nurse who wants to fall in love. Her only company is a long-dead Japanese pop star, who turns her into a fox-fairy out of jealousy. Now, every man who desires Liza shall die horribly. Can she overcome the curse?