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Nosferatu 2024 - Movies (Dec 29th)
Scary Tales Dark Walker 2024 - Movies (Dec 29th)
In a Violent Nature 2024 - Movies (Dec 29th)
The Outrun 2024 - Movies (Dec 29th)
Lost on a Mountain in Maine 2024 - Movies (Dec 29th)
Sonic the Hedgehog 3 2024 - Movies (Dec 29th)
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D-Day 80th Anniversary 2024 - Movies (Dec 28th)
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Beyoncé Bowl 2024 - Movies (Dec 28th)
The Fire Inside 2024 - Movies (Dec 27th)
Adopted 2024 - Movies (Dec 27th)
The Split - (Dec 29th)
Philly Homicide - (Dec 29th)
Accident, Suicide or Murder - (Dec 29th)
Lidias Kitchen - (Dec 29th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
What If... - (Dec 29th)
Earth Abides - (Dec 29th)
Landman - (Dec 29th)
Told by way of a interview retrospective, this is a tale of disillusionment and political naivety amongst the English upper classes in the 1930s. Guy Bennett (Rupert Everett) was a student at Cambridge University - openly gay to his fellow students - on the periphery of the social and political norms of the day. His friend Tommy Judd (Colin Firth) and he bonded largely out of a desire for non-conformity, not because they believed in the same ideals; Firth a fervent Marxist, Everett ambitious - perhaps because of his sexuality - to reach the top of the hierarchical structure at the school. He falls in love, however - with the younger James Harcourt (Cary Elwes) and all the blind-eyes that had previously been turned to his behaviour were turned full beam and his behaviour, and to some extent that of Judd are challenged to breaking point. Julian Mitchell's play has been self-adapted to demonstrate just how insidious the educational establishment could be for those who did not play the game; and how empowering it could be for the ultra-conformist bullies (in this film deftly portrayed by Tristan Oliver as Fowler) and it is little wonder these academic institutions became an intellectual petrie dish for those recruiting future espionage assets. The film looks gorgeous - though filmed in Oxford - with a gently complementary score from Michael Storey.
James, a sexy, youthful sought-after instagram star in high-society and self-proclaimed 'Trophy,' is dumped by his wealthy live-in benefactor. Now he must learn that the real world is not the facade he's built for himself on social media.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
An intimate evening between a film director and an escort is disrupted when a familiar face arrives.
In Room Service, Ethan rents the “services” of Stone, 90s TV-actor-turned-escort and the object of his adolescent dreams, and discovers that childhood fantasies can be more satisfying than adult realities.
