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The Seventh Voyage of Bing and Bob. The Road to Hong Kong is the seventh and final film in the "Road To" series of films starring Bing Crosby and Bob Hope. It's directed by Norman Panama and Panama co-writes the screenplay with Melvin Frank. Music is by Robert Farnon and cinematography is by Jack Hildyard. Plot pitches Hope and Crosby in the middle of a mistaken identity scenario and thus mixed up with an organisation intent on world domination via the moon! There had been a ten year gap since The Road to Bali was released in 1952, but such was the success and popularity of the series the boys were once again trundled out for one last "Road To" hurrah. Behind the scenes squabbles and stipulations tainted it some what, most notably the shunting out of the way of the series' previously leading lady Dorothy Lamour (who ends up making an extended cameo), who was replaced by a youthful Joan Collins. So with some scratchy back history and a word of mouth reputation as the worst of the series, with claims of the dynamic duo being too old and long past their best, The Road to Hong Kong must be a stinker then? Right? Actually no. Sure it lacks some of the energised nuttiness of previous instalments, but this definitely isn't a stinker. Yes the boys are a bit long in the tooth, and Collins, whilst no Lamour in screen presence and chemistry value with the duo, is sexy, spunky and grounds some of the more older frayed edges. The sci-fi plot is delightfully bonkers, very much capturing the space age zeitgeist of the 60s, and there's a whole bunch of great gags as usual (my favourite is about an elephant thermometer). Not all the intended humourous scenes work, but most do, while there's even a quite surreal one involving banana feeding machines! Bonus sees a cameo from the great Peter Sellers as his patented Indian Doctor, a scene where you can see Bing and Bob looking on and thinking the torch is being passed, while a strong support cast includes Robert Morley, Walter Gotell and Felix Aylmer. Funky opening credit sequences as well! Worst in the series? Well that's a harsh statement, more like it's a lesser light than the rest it is probably more fairer to say, but it's a fun film that adds weight to what fine entertainment value Bing and Bob were. 6.5/10
Students at the Davis School of the Theatre are assigned "Antigone" as their class play, but they conspire to do a swing musical instead.
Cinderella, an orphaned girl with an evil stepmother, has big dreams and with the help of her Fabulous Godmother, she perseveres to make them come true.
In 1987, Billy Joel took his family, his music and his concert show to the former Soviet Union. This feature-length documentary film looks back at the triumphs and difficulties encountered in creating the first fully staged rock 'n' roll show in the USSR. Directed by Emmy(R)-winning documentarian, Jim Brown.
Secrets of the Chaos Emerald focuses on Sonic, Manic and Sonia as they help Knuckles, Floating Island's stern guardian of the Chaos Emerald, protect the Chaos Emerald from Dr. Robotnik and his henchmen, Sleet and Dingo. If the Chaos Emerald gets into the wrong hands it can be used as a weapon against Sonic and Mobius, but at the same time the Chaos Emerald can be used to save Mobius - there has never been so much pressure on Sonic and his siblings.
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.
The strong bond between two brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.
An uptight MBA student falls for the charismatic new neighbor who charms her troubled family – but he has a secret that forces him to push her away.
Santa's workers demand to be entertained and thus put on a musical show for themselves.
The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.
