Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
The Calendar Killer 2025 - Movies (Jan 16th)
Venom The Last Dance 2024 - Movies (Jan 15th)
You Gotta Believe 2024 - Movies (Jan 15th)
Wolf Man 2025 - Movies (Jan 15th)
Sentinel 2024 - Movies (Jan 15th)
Out Come the Wolves 2024 - Movies (Jan 15th)
Diddy Summit to Plummet 2024 - Movies (Jan 14th)
Powder Pup 2024 - Movies (Jan 14th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 14th)
Diddy The Making of a Bad Boy 2025 - Movies (Jan 14th)
Canadas Drag Race - (Jan 17th)
Animal Control - (Jan 17th)
All In with Chris Hayes - (Jan 17th)
Divided by Design - (Jan 17th)
Alex Wagner Tonight - (Jan 17th)
The ReidOut with Joy Reid - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Young and the Restless - (Jan 17th)
Lets Make a Deal - (Jan 17th)
The Price Is Right - (Jan 17th)
Building Outside the Lines - (Jan 17th)
The Sex Lives of College Girls - (Jan 17th)
Severance - (Jan 17th)
Bookie - (Jan 17th)
The Pitt - (Jan 17th)
Silo - (Jan 17th)
Very Important People - (Jan 17th)
Deadline- White House - (Jan 16th)
The Beat with Ari Melber - (Jan 17th)
Beat the Chasers - (Jan 17th)
Features a hip original soundtrack, exciting choreography and a theme song performed by Alyssa herself. Kids will dance with her, work out with her, and just hang around and laugh with Alyssa and her friends.
When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
In an unfair country women work day and night far from home while their children learn to survive between loneliness and emptiness. They grow to become teenagers, locked down in one of many low income neighborhoods made up of identical small houses, outlined by overcrowding and scarcity. Their mothers, mostly workers in transnational factories, go in and out in buses that take them to a work place where they carry out twelve hour shifts two hours away from home, while their children muddle through their upbringing in tiny houses of 40 square meters. In spite of everything, they look for a way to move ahead and chase their illusions. This is a story full of youthful aspirations set in a context of difficulties and shortages.
Between the ages of two and three, children already know which gender they belong to. One in 10,000 males and one in 40,000 females feel the opposite gender to the one they were assigned at birth. The first signs of transsexuality can appear very early. The families of all the protagonists in the documentary agree that their children have, almost from the moment they began to speak, expressed with surprising insistence and firmness that they belonged to the sex opposite to that of their genitalia.
A documentary on seniors at a high school in a small Indiana town and their various cliques.
Lost in the Bewilderness is a feature-length documentary about the filmmaker’s cousin Lucas, kidnapped at age five from his native Greece, and found on the eve of his 16th birthday in the US. This story of international parental abduction, filmed for over twenty years, chronicles Lucas’s journey of growth and self-discovery, and culminates with Lucas becoming a father himself. Lost in the Bewilderness is not only a detective story but also a lyrical meditation on childhood, lost and found, and an exploration of how the themes of ancient Greek myth and tragedy, with the family at their center, are still very much alive in the modern world.
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
Beyond the scheduled programme of a school trip, three teenagers find ways to pass the time. Between tenderness, boredom and rejection they all try to find their own place in the group.
It follows two teenage rappers in Bangkok who use their musical talent to navigate their difficult circumstances.
Chinese teenagers from the wealthy elite, with big American dreams, settle into a boarding school in small-town Maine. As their fuzzy visions of the American dream slowly gain more clarity, their relationship to home takes on a poignant new aspect.