Beetlejuice Beetlejuice 2024 - Movies (Nov 14th)
OVERLORD The Sacred Kingdom 2024 - Movies (Nov 14th)
Journey to Bethlehem 2023 - Movies (Nov 14th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Haunted Ulster Live 2023 - Movies (Nov 14th)
Ezra 2023 - Movies (Nov 14th)
Malum 2023 - Movies (Nov 14th)
Championext 2023 - Movies (Nov 14th)
You Gotta Believe 2024 - Movies (Nov 13th)
Smile 2 2024 - Movies (Nov 13th)
Azrael 2024 - Movies (Nov 13th)
Return of the King The Fall and Rise of Elvis Presley 2024 - Movies (Nov 13th)
Hot Frosty 2024 - Movies (Nov 13th)
Dogleg 2023 - Movies (Nov 13th)
Fight to Live 2024 - Movies (Nov 13th)
Killer Ex 2024 - Movies (Nov 13th)
Silo - (Nov 15th)
The Beat with Ari Melber - (Nov 14th)
Elsbeth - (Nov 15th)
Greys Anatomy - (Nov 15th)
Lets Make a Deal - (Nov 15th)
The Bold and the Beautiful - (Nov 15th)
The Talk - (Nov 15th)
The Young and the Restless - (Nov 15th)
Harry Potter- Wizards of Baking - (Nov 15th)
Ghosts - (Nov 14th)
Ant Anstead- Born Mechanic - (Nov 14th)
Deadline- White House - (Nov 14th)
Taskmaster - (Nov 14th)
Someday at a Place in the Sun - (Nov 14th)
Andrea Mitchell Reports - (Nov 14th)
Chris Jansing Reports - (Nov 14th)
Katy Tur Reports - (Nov 14th)
The Kelly Clarkson Show - (Nov 14th)
Four in a Bed - (Nov 14th)
Ellis - (Nov 14th)
A lady who sets her heart upon a lad in uniform must prepare to change lovers pretty quickly, or her life will be but a sad one. First thing that is patently obvious is that as a visual piece of work the film has few peers, from stunning shots of rolling hills to the lavish period detail, it quite literally is breath taking. The attention to detail by director Stanley Kubrick and cinematographer John Alcott is admirable, whilst the costumes are of the highest order. I have never read the novel by William Makepeace Thackeray so have no frame of reference as regards the portrayals we witness unfolding. I have read that many find the film lacking in the humorous wit that is rife in Thackeray's page turner, yet Kubrick's take is full of satire surrounding the social standing that is the core beat of the story - well it certainly had me smiling anyways. The film is pretty downbeat, thus, for a three hour movie it can bog down many a viewers patience. Which puts this into the movie for mood scenario bracket - because I personally wouldn't want to watch it if I was having a particularly blue day, so that is something newcomers to the film might want to bear in mind. There seems to be much division as regards Ryan O'Neal's performance in the film, and again having not read the novel I couldn't tell you if he nailed it. What I do know is that he seems perfect for the tone of the movie, and that really shouldn't be seen as a negative in my opinion. My only gripe really with it is that as a story it really doesn't engage me, I really didn't care about what happened to our title character or the assorted people close in his rapidly annoying world. Is that Kubrick's fault? Well he did his job with much style, the story just doesn't warrant a three hour epic, even when it's dressed up as splendidly as this most assuredly is. 8/10
Peter Lan, a seasoned gambler, returns from abroad to find that his family has been destroyed by the treachery of the unscrupulous Alfred Wong, who has cheated Peter’s father out of his fortune and driven him to suicide. While Peter is tying to track down Wong, he befriends a fellow gambler, Barry Sung, who is working for Rex Hu. But in a twist of events Hu and Wong are one and the same. The only person who can stop Peter getting revenge on the man who killed his family is his new best friend!
In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison.
The story is about a drug ring and the finally successful efforts of the Paris police to break it up. A young detective goes into a den in Paris' Chinatown, following a clue, and that is the last seen of him until his body is found floating in the Seine several days later. The only clue is a woman's glove. The dead man's friends on the force vow to avenge him, and receive information leading them to suspect one Sandra, a beautiful foreigner, played by the stunning Marcelle Chantal.
A beautiful, underachieving, 18-year-old orphan considers various suitors, ponders philosophy, and takes a young girl under her wing.
Based on the 1963 novel by Sylvia Plath, a young woman's summer in New York sees her working for a Mademoiselle-like magazine, return home to New England, and subsequent breakdown all amidst the horrors of the fifties, from news of the Rosenbergs' execution to sleazy disc jockeys and predatory college boys.
Copenhagen, Denmark. While young Ida remains missing, Sander is interrogated by two men in an empty apartment.
The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)
When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.
A nobleman poet embarks on boat trip with two local fishermen. As they hop the bucolic islands he recalls his youthful tragic love, his artistic impotence and uneasy relationship with common fishermen.