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Night Court - (Feb 26th)
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The Fear Clinic- Face Your Phobia - (Feb 25th)
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Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
Dogs Behaving (Very) Badly - (Feb 25th)
Katy Tur Reports - (Feb 25th)
Dropout Presents - (Feb 25th)
Storyville - (Feb 25th)
Chris Jansing Reports - (Feb 25th)
Rogue Claimers - (Feb 25th)
Piers Morgan Uncensored - (Feb 25th)
Historys Most Shocking - (Feb 25th)
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Fugitive Hunters Mexico - (Feb 25th)
Different approach divides Hammer Horror followers but it's not without merits. The Horror Of Frankenstein is out of Hammer Studios and directed by Jimmy Sangster. Based around the famous characters created by Mary Shelley, the screenplay is co-written by Sangster with Jeremy Burnham. It stars Ralph Bates, Kate O'Mara, Veronica Carlson, Dennis Price, Graham James & David Prowse. After a dastardly deed sees him inherit the family estate, Victor Frankenstein continues with his anatomy experiments... Originally released as part of a double bill with Scars Of Dracula, The Horror Of Frankenstein saw Hammer Studios take a different approach with the titular monster. Gone was Peter Cushing, who in a publicity shoot was seen "handing over the reins" to the next generation, and in came a more comedic and talky take that takes in the permissive society and the British Welfare State! Sangster's movie should be viewed as a comedy with horror elements, it's clear from the outset that the makers here have tongue firmly in cheek. What else can you derive from a film that has a dismembered hand flicking the V's? Or a casual observation that Kate O'Mara has gained weight in the breast department? I kid you not, and it is damn funny. The most interesting thing about the film is the young Frankenstein himself, perfectly essayed as being a dandy egotist by Bates. He is in fact the villain of the piece. Here is a man who kills innocents with single minded glee, just so he can create life; deliciously bonkers really. The sexiness comes from O'Mara and Carlson who seem to have entered a "who has got the biggest cleavage contest", while Dennis Price of Ealing fame is wonderfully colourful as a grave robber happy to let his wife dig the graves! Yes it's a wacky movie alright. Even the monster, played by future Darth Vader David Prowse, seems to be in on the joke. Throw him a doggy chew and he'll do anything for you. I think the creature was more irked about having to wear a diaper more than anything else. Sets and costuming are still of a high standard, but this is a different Hammer Frankenstein. Fun and even a little devilish in its writing, it's not, however, one for the scare purists. 6/10
**_Hammer’s only Frankenstein flick without Peter Cushing_** There were seven Frankenstein films from Hammer between 1957-1973: "The Curse of Frankenstein" (1957), "The Revenge of Frankenstein" (1958), "The Evil of Frankenstein" (1964), "Frankenstein Created Woman" (1967), "Frankenstein Must Be Destroyed" (1969), "The Horror of Frankenstein" (1970) and "Frankenstein and the Monster from Hell" (1973). Cushing played the Baron in every one of these except this one, "The Horror of Frankenstein," since it’s a remake of the original story and they needed a much younger actor for the role. They chose Ralph Bates, who superbly played the love-to-hate satanist in "Taste the Blood of Dracula," released 5 months earlier. Bates’ nonchalant performance is amusing and one of the highlights, as are the beautiful Kate O'Mara (Alys) and Veronica Carlson (Elizabeth). While the proceedings are serious, there’s a welcome touch of humor in the manner of “Scars of Dracula,” which came out a month later. The buff look of the monster is unique in the series and sorta reminiscent of the creature in “Lady Frankenstein,” which debuted the next year, albeit not quite as grotesque. Being a redo of the original Frankenstein story, it’s predictable and arguably not as good as the previous two entries with Cushing, "Frankenstein Created Woman" and, especially, the great "Frankenstein Must Be Destroyed." It’s more entertaining than the ensuing "Frankenstein and the Monster from Hell" though, Hammer’s final stab at Mary Shelley’s iconic concept. Another issue is how the indoor sets substituting for the outdoors are too obvious. Still, this is a solid, one-of-a-kind installment. People tend to overlook it because of the absence of Cushing. The movie runs 1 hour, 35 minutes, and was shot at Elstree Studios, Borehamwood, Hertfordshire, England, just northwest of London. The funeral was shot at nearby St Mary's Church in North Mymms. GRADE: B-/B (6.5/10)
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
David Rice is a man who knows no boundaries, a Jumper, born with the uncanny ability to teleport instantly to anywhere on Earth. When he discovers others like himself, David is thrust into a dangerous and bloodthirsty war while being hunted by a sinister and determined group of zealots who have sworn to destroy all Jumpers. Now, David’s extraordinary gift may be his only hope for survival!
A man is released from prison after 10 years of incarceration. He wants to regain control of his life, but his former boss, a demon named "Master", doesn't see it that way...
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.