The Suicide

Previously lost semi-documentary on the rise and fall of American hobo culture.

Previously lost sexploitation melodrama following Millicent Redmond, a woman who hosts annual raucous and sexually licentious reunion parties for her former sorority sisters and their lovers at her cushy beach house.

A young college professor and three of her students seek shelter during a storm in the rural farmhouse of a strange woman who collects lifelike mannequins.

The Daughter of Dawn is a silent Western, and one of the few films of the silent era to have an entirely Native American cast. It tells the story of a Kiowa woman and her lover, his feats of bravery, and their trials at the hands of a jealous rival and Comanche warriors. Completed in 1920, it was only shown a few times before being considered lost. Five reels of the movie were found in 2005, and restored by the Oklahoma Historical Society in 2012.

Jake Jones rescues a young bison in the 1800s, and becomes known as the folk hero Buffalo Jones as he rides Samson through many exploits.

Previously lost rape and revenge mystery about a swastika-carving masked marauder that brutalizes women in Los Angeles.

A hoodlum plots to seduce a lonely housewife and turn her over to his virginal friend.

The lust for gold and the reading of a will brings eleven visitors to a remote island retreat, but an unseen, seemingly unstoppable evil follows to stalk them one by one. The bodies don't stop dropping until the final shattering conclusion. Who - or what - is the intruder? One thing is for certain: it will not stop until it kills them all.

Previously lost reconceptualization of Bill Cable's unfinished early 70s epic titled "What is Love," which deals with themes of romantic obsession and Christian blasphemy.

ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.

Previously lost proto-slasher involving Mafia members bumped off by a black-clad, veiled "Black Widow" within the New York City underworld, as seen by newspapermen sifting through a cast of prostitutes and thugs.