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Clean It, Fix It - (Mar 6th)
The Z-Suite - (Mar 6th)
Come Dine With Me- South Africa - (Mar 6th)
The Tucker Carlson Show - (Mar 6th)
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Ancient Aliens - (Mar 6th)
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The Thundermans- Undercover - (Mar 6th)
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Last Days in the Desert is, according to IMDb, “An imagined chapter from Jesus' forty days of fasting and praying in the desert.” Writer/director Rodrigo García surely has an overactive imagination – or not active enough, depending on how you look at it; on the one hand, Jesus speaks English with a British accent, but on the other, doesn’t he almost always? Ewan McGregor has a dual role as “holy man” Yeshua (Jesus, for all intents and purposes) and “The Demon” (i.e., Satan). This is the most interesting aspect of an otherwise rather uninteresting film. Why does the Devil take on the appearance of Jesus? Perhaps a better question is, why has he been given it? It’s unlikely that Satan has chosen to look like Jesus’ spitting image just to mock him – though the former certainly has a better sense of humor than the latter, who leans more toward what I’d call toilet humor were it not that toilets had not yet been invented –, considering that neither individual remarks on their resemblance. Moreover, this Devil despises God but not Jesus – though how he can differentiate between the Father and the Son can only be explained with a massive case of cognitive dissonance. On the other hand, Jesus himself is not very well versed in his own mythology, for instance asking Satan what it’s like to be in God’s presence; he might as well ask himself, given his status as the eternal, pre-existing Logos, or second person of the holy trinity, a condition that Jesus, at least according to the gospel of John, was aware of even in his human incarnation. But, who knows? Maybe this particular Christ just happens to be non-trinitarian –, and when he tells Jesus “I'll come to you in the end. And if you give me a sign I'll help you down, and you can stay,” he sounds sincerely concerned (either that, or it’s just a reference to The Last Temptation of Christ). All in all, I guess the whole point of this is what Matthew Modine called the “Jungian thing” in Full Metal Jacket, but taken to divine levels; in other words, that God and the Devil are nothing but two sides of the same coin, or the same side of two coins, or something; whatever it is, it’s not terribly original (in fact, it’s all very reminiscent of the Lucifer TV series, although to be fair this film was released the year prior), but at least it has some sort of point (even if it’s just a means of giving McGregor a part that has comparatively more meat in it as opposed to the thankless role of the Son of God), unlike the rest of the movie, which plays like a parable without any discernible lesson.
Uri, a 50 year old family man, has a romantic secret relationship with Oded, a young man from their small town in the south of Israel. During a trip in the desert, the two are forced to deal with the tragic consequences of their type of relationship.
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker - who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.
In Venice Beach, naive Midwesterner JB bonds with local slacker KG and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat, so they set out to steal what could be the answer to their prayers... a magical guitar pick housed in a rock-and-roll museum some 300 miles away.
Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.