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Cathy, Cathy, come in, Cathy come back to me. Wuthering Heights is directed by William Wyler and adapted to screenplay by Charles MacArthur & Ben Hecht from the novel of the same name written by Emily Bronte. It stars Merle Oberon, Laurence Olivier, David Niven, Geraldine Fitzgerald and Flora Robson. Music is scored by Alfred Newman and cinematography is by Gregg Toland. OK, so it's only a part of Bronte's classic novel, and yes some liberties have been taken, but Wuthering Heights is still a wonderfully involving picture. Expertly played by the actors and directed with adroitness, it's a haunting tale of tragedy, love and passions never to be sated. Moodily photographed by Toland, who won the Academy Award for Best Cinematography in the process, tale unfolds in flashback style that's aided by retrospect narration from Robson's wily house keeper Ellen Dean. Characters are perfectly formed as children, expanded upon into adulthood; with Olivier and Oberon coming into their own on the acting front, then the story reaches its denouement to leave the viewer flushed with emotion. All given dramatic impetus by Alfred Newman's sweeping score. 1939 was a stellar year for classic cinema, Wuthering Heights is deservedly a part of that upper echelon number. Brilliant. 9/10
I venture to suggest that this wonderfully evocative adaptation of Emily Brontë's classic story will never be surpassed. The novel is essentially a tale of lost love and the trio of Merle Oberon ("Cathy"), Laurence Olivier ("Heathcliffe") and David Niven ("Edgar") manage to encapsulate all the emotions of sadness, of bitterness and of despair superbly. "Heathcliffe" is the abandoned boy brought to the home of the wealthy "Earnshaw" family by Cecil Kellaway where he gradually falls in love with daughter "Cathy". When the old man dies, his son "Hindley" (Hugh Williams) inherits, treating "Heathcliffe" as little better than a servant before he eventually drives him away. When he returns wealthy, many years later, he discovers "Cathy" now married to the debonair, if rather dull, Niven. What happens now is the stuff of English literature at it's most enigmatically dramatic. Whilst the screenplay does skim over much of the detailed characterisations, and some of the sub-plot from the book, it nonetheless captures the spirit of the story in both an atmospheric and charismatic fashion - with Flora Robson at her melancholic best as the recounter of our tale. Oberon and Olivier are excellent at conveying the sense of distress and longing and the cinematography of the bleak, but liberating, Yorkshire Moors all contribute to an engrossing, really rather sad story.
A ranger whose passion is nude painting comes to work in a remote Bosnian village. He asks the local women to pose naked for him. They are shy at first, but they eventually agree to do so. This makes their husbands furious, who think that the ranger is sleeping with their wives.
It is 1940 in Norway, a neutral, peace-loving country that is invaded by Nazi Germany. A gang of Norwegian children do what Norwegian children like best - ski. They are actually rescuing Norwegian gold from the nazi invaders. The Nazis search all adults but don't suspect children playing. The children carry the gold, one bar at a time, across the mountains to a fishing boat. It is a race against time, it is spring and the snow is melting. So they ski from dawn to dusk every day.
Forced to work extremely hard to keep things afloat, Paul begins hearing voices in his head questioning his past choices. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.
In 1830s France, pianist/composer Frédéric Chopin is pursued romantically by the determined, individualistic woman who uses the name George Sand.
Racial tension is running high in Bergen after a young black asylum seeker dies at the hands of the Police. Shortly afterwards, a right-wing politician is targeted by a gunman at a public rally and his wife is fatally wounded. Another member of the right-wing party, Marit Holm, approaches private investigator Varg Veum, insisting she is being stalked.
Elizabeth Bennet is a hard-working, intelligent college student who won't even think about marriage until she graduates. But when she meets Jack Wickham, a good-looking playboy, and Darcy, a sensible businessman, Elizabeth's determination is put to the test. Will she see through their exteriors and discover their true intentions? Based on Jane Austen's timeless tale Pride and Prejudice.
An outwardly confident but unmarried woman on the verge of her fortieth birthday reflects on her past suitors and the choices she once made while attempting to help her marriage minded niece choose between a number of potential suitors in this tale inspired by the life and letters of Jane Austen. Jane Austen is about to turn forty, but she still hasn't found her ideal man. When Jane is approached by her niece Fanny and asked to help select the perfect husband for the young girl, the aging spinster begins to wonder why it is that she never found a man to share her own life with. Perhaps if Jane had accepted the proposal of a wealthy landowner she could have saved her family from financial ruin, and what of the handsome young physician who once warmed to Jane after tending to her ailing family members?
Set in a rustic English village in the mid 19th century, Under The Greenwood Tree tells the story of a poor young man who falls for a middle-class schoolteacher and attempts to win her over.
Under the USSR oppression a family breaks up and its members find themselves on opposite sides of the barricades. Based on the Mykolas Sluckis' novel, the film tells the story of a dramatic and painful reality of the post-war Lithuania.
Rita and Sue are two teenagers living on a run-down council estate in Bradford, who both share a job babysitting for Bob and Michelle's children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence.
A small-time conman has his loyalties torn between his estranged mother and his new girlfriend, both of whom are high-stakes grifters with their own angles to play.