My late Mum used to have an LP by British artist Peter Skellern, melodiously singing some of the magnificent songs from the Astaire/Rogers musicals - and it has stayed with me ever since. This is probably my favourite - the dancing is delicate and stylish; the chemistry between Fred Astaire and Ginger Rogers is electric; and although the plot itself leaves a great deal to be desired; it's not about the story - it's about the people and Irving Berlin's wonderful suite of songs - "Isn't it a lovely day?"; "Top hat, White Tie & Tails"; "Cheek to Cheek". To be critical, for a moment, neither are really very good actors, or singers - but when pitched together they more than compensate with a generous dose of elegant chic! Eric Blore is also rather good as the really supercilious "Bates" - the kind of butler everyone ought to have, but nobody would actually want!
Lili is a typical girl of our time: she's lonely and tries to convince herself that this is what's good for her. But one day, she finds an old package of letters in her parents' apartment, which her mother apparently didn't want to show her at all. Of course, she doesn't hesitate much, she starts reading, and the past comes alive... an unforgettable summer in the early 1990s, when three good friends are on vacation at Lake Balaton, and of them, only Eszter wants to stay faithful to her boyfriend who left her at home, who swallowed a stake. But her plans, which she usually follows with engineering precision, are slightly messed up when she meets Gergo, easygoing, funny and has another very good quality: he plays in a band and performs with his friends on the beach in Szigliget in the evenings.
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
Chef Ronojoy Ray Choudhury wants to sell his ancestral house in Chandannagore in West Bengal, go to Paris and open his own café but finds a refugee family squatting there instead! When they refuse to budge, Ronojoy must think of a way to get rid of them. Would he dump his longtime supportive girlfriend Vania in Kolkata? Fate has its ways.
Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.
New York chorus girl Cindy Lou Bethany becomes frustrated when she prepares for an audition for a Broadway musical, but the auditions close and her roommate, Gwen Abbott, is hired to be secretary to Top Rumson, the show's financial backer. Gwen tells Cindy that the director, Lloyd Lloyd, and composer, Dick Rayburn, have been sent to the South on a talent search for a classic Southern belle type to star in the show, although their shows usually feature Myra Stanhope, an actress whose style is hopelessly inappropriate for this show. Desperate for work, Cindy returns to her aunt Lily Lou and uncle Jefferson Davis Bethany's home in the South and schemes to get Lloyd and Rayburn to audition her.