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I never get tired of the idea that someone would think of Groucho Marx is the perfect man to lead a nation into war. Or that Harpo and Chico would be good spies. Or that Zeppo would be interested in another film after this one.
The Marx Bros are to Blockbuster as Monty Python are to Netflix and I mean that in the best way possible
**I would love to send a copy of the film to Vladimir Putin. Would he understand the gesture?** Who would have thought that this film is almost a hundred years old? I just saw it, and it is fresher and lusher than many vegetables in the supermarket! Many people no longer know who the Marx Brothers are, but a hundred years ago, at a time when there were no internet memes (or the internet), they were the kings of comedy, and it's always worth seeing what they did. They passed away a long time ago, but they left us a polite, intelligent, sharp, accessible humor that the whole family can see. The film was released in 1933, at a time dominated by the imminent threats of war. It reminds us of our own time, doesn't it? One hundred years later, we continue to make the same mistakes and show God that we have learned nothing from them. The film makes fun of this by giving us a portrait of a bankrupt country led by an incompetent man, very vain, arrogant and surrounded by sycophants who treat him as a savior of the nation. It could be Mussolini, or Hitler... and the explicit criticism of European dictators could not be sharper today, if we think about some tyrants of our time. The film is dominated by the four Marxes: Zeppo, in his last appearance as a member of the group, has a much more solid character than usual and as a result we never feel that he is too much in the film. Chico also does very well. Harpo does what he's used us to, managing to be funny without saying a word and putting all his tricks as a mime and vaudeville clown to good use. Groucho, as usual, intelligently leads the group. The king of ready answers couldn't have a quicker wit or a sharper tongue. In addition, we have Margaret Dumont in a skillful and healthy collaboration with them. Good sets and very well-imagined costumes help us compose Freedonia, a republic on the verge of collapse, bankruptcy and a foreign invasion. There is an unbelievable dose of anthological scenes in this film, from the motorcycle joke with the sidecar to the joke with the mirror. The black-and-white cinematography is sharp, well-shot, and the film doesn't look as old as it actually is. The soundtrack adds the finishing touch.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
Captured by a notorious crime boss and held captive over a deal gone bad, A man attempts to flee with something of value to him...
Heiress Hedda Nillson certain that her family is about to lose all its money, takes a job as a maid. After the usual trials and tribulations, Hedda falls in love with humble chauffeur Eric Landstrom.
Donald Ingals and his wife Eunice are conventional and loving parents who are shocked when their son Bradley comes home from college with ideas that they consider to be outrageous. His parents would like him to get involved with Mary Burke, a prim and proper young lady. More complications ensue because Bradley's sister Lois is attracted to the flapper lifestyle, but she isn't sure whether she can handle its emotional demands.
Young Lena becomes a chief manager of a workers' club. The problem is this club is not constructed yet and finishing it takes too much effort from a young girl. The solution is found by her grandmother and her 'old guards'. Look out Lena's enemies. Here's her grandma coming!
Young man just out of college tries to persuade his father, who owns a record company, to start signing up rock 'n' roll acts.
An Arkansas folk singer goes to college and woos the dean's daughter at a time of campus unrest.
A former boxer purchases a classy speakeasy and falls in love with a wealthy society girl.
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack is offering to let him see the show from an unusual viewpoint after he forgot to get him tickets for the performance, but then they find the corpse of a murdered woman and Bill immediately suspects Eric of the crime.
Rekha and her uncle Shyamlal are the only survivors in their family which has a long and painful history of death under bizarre and suspicious circumstances while living in their ancestral property. Rekha and Shyamlal leave their ancestral property in fear and settle down in the city where Rekha meets a jovial and rowdy bunch of youngsters belonging to the Youth Club. Members of the Youth Club decide to unravel the mystery of Rekha's ancestral property and hope to find out if those deaths are freak accidents or an ancient curse.
