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All In with Chris Hayes - (Mar 28th)
Deadline- White House - (Mar 28th)
Fight for Glory- 2024 World Series - (Mar 28th)
The Beat with Ari Melber - (Mar 28th)
Dope Thief - (Mar 28th)
The Pitt - (Mar 28th)
Booked- First Day In - (Mar 27th)
Four in a Bed - (Mar 28th)
Greys Anatomy - (Mar 28th)
Emergency Room 24 Hours - (Mar 27th)
Know Where to Hide - Wie niet weg is… - (Mar 27th)
The Complaints Bureau - (Mar 27th)
Very Important People - (Mar 27th)
The Bold and the Beautiful - (Mar 27th)
The Price Is Right - (Mar 27th)
Lets Make a Deal - (Mar 27th)
The Young and the Restless - (Mar 27th)
Piers Morgan Uncensored - (Mar 27th)
The Madame Blanc Mysteries - (Mar 27th)
Car S.O.S. - (Mar 27th)
**Romanticizing Jane.** Jane Austen was a nonconformist. She was the seventh child of an Anglican priest and belonged to what we might now call the middle class. She had many books at home, and both parents taught her to read and write, supported her, recognized in her the same talent we all know her now. Moreover, she was unlucky in love: it does not seem that her parents sought to marry her, it is quite plausible that she did not want to marry for economic reasons and the love affairs that we know of her were short and fruitless. With the publication, very shy, of her first editions, the writer's financial situation improved, and public recognition begin to appear. Sadly, the author died quite young, without collect the fruits of her talent. I am not an expert on Jane Austen, but this is, very briefly, the author's biography, almost sketched in a stream. The film focuses on her youth and builds romantic fiction around her. Personally, I'm dubious about much of what happens in this movie. I think much of it is romantic invention, almost turning Austen into one of her own characters, torn between the attention of two very different suitors. The film is not bad, but it is far from flawless and will never be one of the reference “biopics”, at least in my understanding. Julian Jarrold's direction was effective, but he gives us a work that bets more on the construction of the characters and the story than on the relationship between the film and the real life of the biographed person. The cinematography is good and there are some good effects. The soundtrack is mediocre. The period recreation was reasonably done, resorting to decent costumes and good locations and sets. In between, however, there are some grotesque errors and anachronisms: in the ball scene, Jane appears with a dress twenty years ahead of the time, in another scene we see wedding rings, something that did not exist at that time, and in another one we see Jane being recognized as the writer of a novel when, in fact, she published anonymously several of her books and got very little recognition in her lifetime. Even her epitaph, on her tomb in Winchester Cathedral, ignored her literary output until it was replaced by new text in the late 19th century. In the midst of all this, the extraordinary dramatic interpretation of the actors stands out, and especially Anne Hathaway, who gave the character a touch of kindness mixed with a marked rebelliousness and nonconformity. She didn't want to be like other women. James McAvoy also does a very interesting job in this film and deserves our full attention. The film also has good performances by James Cromwell, Julie Walters, Maggie Smith and Ian Richardson.
Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
Sommer ’04 is a character study of a family on vacation. German director Stefan Krohmer examines the emotional abyss and problems behind the seemingly nice facade of an intact family as they experience guilt, love and jealousy.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins - with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.