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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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A portrait of the American director Jim J. at work on the set of his latest film, Only Lovers Left Alive.
Before compiling your next grocery list, you might want to watch filmmaker Deborah Koons Garcia's eye-opening documentary, which sheds light on a shadowy relationship between agriculture, big business and government. By examining the effects of biotechnology on the nation's smallest farmers, the film reveals the unappetizing truth about genetically modified foods: You could unknowingly be serving them for dinner.
All the feature is given prestige to by the narration in Caetano Veloso's voice, that also signs one of the segments of the project. São Paulo is the largest city of the Southern Hemisphere, with an incessant dynamics of cultural mixtures, with immigrants of all the world and migrants of all parts of Brazil. The gathering of these peculiarities are seen through the 13 film directors's sensibilities and their segments.
The film brings us under the skin and into the mind of La Chana, a talented Gypsy flamenco dancer as she returns to the stage to give a final seated performance after a 30-year break. Along the way, La Chana reveals the secret behind her disappearance when she was at the peak of her career.
This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.
Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.
Israeli-born director Tamara Erde visits six independently-run Israeli and Palestinian schools to investigate how history is taught in this contested region.
A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.