The Devil

Harij, a newlywed, is eager for dowry gifts that never arrive, while his wife Sajili, trapped in an unwanted marriage, detests his insatiable appetite for intimacy. Harij, frustrated by her reluctance, enlists Leila, a bold and pragmatic sex worker, to "train" Sajili in "marital duties". What begins as an unorthodox intervention, spiral into a sinister plot when Leila uncovers Harij’s chilling plans for dowry-related murder. And Leila is no ordinary bystander. Viewed by society through a lens of stigma, she steps into the role of a protector. In a clever twist, Leila offers Sajili a dangerous escape—faking her suicide and framing Harij. Can Sajili escape the patriarchal nightmare, claiming her independence, her hidden dowry, and her lover, leaving Harij and his greed exposed?

War is brewing between the soldiers at an otherwise quiet army base and the civilians of a nearby Southern town. Brian Keith is an officer who tries to keep the peace. However, peace is hard to come by with Ernest Borgnine as a stereotypical dumb hick sheriff who's quick to call in the local militia. Tony Curtis plays a skirt-chasing sergeant who can't stay out of trouble and soon lands in jail. Brian Keith borrows a tank to release his friend from jail. Things get more chaotic after that.

An affair between a literary agent and his best friend's wife, unfolding in reverse-chronological order.

Jan Hus is a 1954 Czechoslovak film directed by Otakar Vávra. It is the first part of the "Hussite Revolutionary Trilogy", one of the most famous works of the Czechoslovak director, completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957).

Serebryakov, a retired professor and his beautiful, much younger second wife, Yeléna, visit their country estate, which funds their urban lifestyle. Vanya, brother of the Professor's first wife, who manages the farm estate, and the local Doctor Astrov, both fall under Yelena's spell, while complaining of the endless ennui of their provincial existence. Astrov is an experienced physician who performs his job conscientiously, but has lost all idealism and spends much of his time drinking. Sofya, the Professor's daughter by his first wife, who works to keep the estate going with her uncle Vanya, meanwhile suffers from lack of esteem over what she sees as her own lack of beauty, and from an unrequited love for Dr. Astrov. Matters are brought to a head when the Professor announces his intention to sell the estate, Vanya and Sofya's home, to achieve a higher income for himself and his wife.

Basements is the title for the omnibus film that brings together two plays by Harold Pinter – The Dumb Waiter and The Room – each, once again, set in a single location.

Decades after a nuclear war, a group of wastelanders live in a run-down shack they call "Bailey Manor". When one of them winds up dead, foul play is suspected and the evening descends into a cacophony of violence, psychological warfare, and fancy dinner parties.

A shopkeeper takes God to court when his shop is destroyed by an earthquake.

As John Barrymore reckons with the ravages of his life of excess, he rents an old theatre to rehearse for a backer's audition to raise money for a revival of his 1920 Broadway triumph in Richard III.

A full-length adaptation, originally staged as a play, of the court-martial segment from the novel "The Caine Mutiny".

As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.