A Flash of Beauty Paranormal Bigfoot 2024 - Movies (Jan 1st)
Beyond the Legend Bigfoot Gone Wild 2024 - Movies (Jan 1st)
Dream Team 2024 - Movies (Jan 1st)
A Different Man 2024 - Movies (Jan 1st)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Dont Die The Man Who Wants to Live Forever 2025 - Movies (Jan 1st)
Wicked 2024 - Movies (Dec 31st)
Mufasa The Lion King 2024 - Movies (Dec 31st)
Trilogy New Wave 2024 - Movies (Dec 31st)
Love in the Big City 2024 - Movies (Dec 31st)
Michelle Buteau A Buteau-ful Mind at Radio City Music Hall 2024 - Movies (Dec 31st)
Avicii - My Last Show 2024 - Movies (Dec 31st)
Avicii - Im Tim 2024 - Movies (Dec 31st)
My National Gallery London 2024 - Movies (Dec 31st)
A Real Pain 2024 - Movies (Dec 30th)
We Were Dangerous 2024 - Movies (Dec 30th)
Saturday Night 2024 - Movies (Dec 30th)
Mr. Monks Last Case A Monk Movie 2023 - Movies (Dec 30th)
A Ghost Story for Christmas Woman of Stone 2024 - Movies (Dec 30th)
The Way My Way 2024 - Movies (Dec 30th)
Mrs Browns Boys - (Jan 1st)
Neujahrskonzert der Wiener Philharmoniker - (Jan 1st)
Saving Grace - (Jan 1st)
On Cinema - (Jan 1st)
New Years Eve Fireworks - (Jan 1st)
The Last Leg - (Jan 1st)
A League of Their Own Road Trip- Loch Ness to London - (Jan 1st)
The Late Late Show - (Jan 1st)
Magical Japanese - (Jan 1st)
NINJA TRUTH - (Jan 1st)
The Worlds Strongest Man - (Jan 1st)
The Chase Australia - (Jan 1st)
Letters and Numbers - (Jan 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
**_Dynamic documentary on the first 25 years of thrash metal_** “Get Thrashed” does an excellent job detailing the history of thrash and other offshoots of metal up to the time of its release in 2006. Generally speaking, thrash combined the double bass drumming and complex guitar riffing of NWOBHM bands (including Priest and Maiden) and fused it with the aggression and speed of punk/hardcore along with the technicality of prog bands. The documentary relays all of this in a very energetic fashion, including references to the most prominent bands, along with myriad commentators. “The Big Four” are, of course, noted at length, but myriad “second tier” bands are acknowledged, like Overkill, Death Angel, Forbidden, Sepultura, Hirax, Kreator, Sodom and Anvil. Hardcore bands are also recognized, like Cro-Mags, as well as the later bands that were heavily influenced by thrash. Of course, there are some omissions, such as Bathory (especially HAMMERHEART, not that early drek), but what’s packed-in here is very impressive and entertaining. Sepultura is fittingly acknowledged and I'm glad that the Derrick Green/Andreas Kisser form of the band is interviewed twice because this is easily the best version of the group, as observed in excellent albums like NATION, A-LEX and MACHINE MESSIAH, et al. The original drummer of Overkill, Rat Skates (who had a LOT to do with establishing the band up through their first two albums) was heavily involved in the behind-the-scenes production. Meanwhile singer Bobby Blitz Ellsworth appears frequently as a commentator. The original guitarist of their first four albums, Bobby Gustafson, also appears. (I, incidentally, thought Overkill improved after those albums, with excellent releases like THE KILLING KIND, FROM THE UNDERGROUND AND BELOW and KILLBOX 13, even I HEAR BLACK and WFO). You’ll hear a relatively unknown song a couple of times with a chorus that goes “Thrash, thrash, thrash… Thrill, thrill, thrill… Mosh, mosh, mosh.” This is by the obscure Swedish band The Law and the song is called “Anthem” (with a 1.5 minutes intro called "Lawman & the Law"). You can hear it on Youtube, if interested. The band independently released the song in 2004 and 2006, which explains how it was available for this 2006 documentary. They included it on their only 2008 full-length album and that's the last anyone's heard of the band, except for two singles in 2010. The film runs 1 hour, 40 minutes. GRADE: A
A touching, funny and intense insight into the workings of a modern day renaissance project. Featuring rare interviews with Chris Corner, producer Jim Abiss, the live band members, and Sneaker Pimps co-founder Liam Howe, plus special footage of live performances and backstage madness.
Power Metal lovers also had their place in the past "Rock In Rio" held in Brazil. That's why we leave the presentation of HELLOWEEN Germans, who also had the pleasure to invite on stage to an old friend, Kai Hansen. Cidade do Rock, Rio de Janeiro, Brazil on September 22, 2013. The setlist that evening was: 01. Eagle Fly Free 02. Where the Sinners Go 03. Waiting for the Thunder 04. I'm Alive 05. Live Now! 06. If I Could Fly 07. Power 08. Are You Metal? 09. Dr. Stein (with Kai Hansen) 10. Future World (with Kai Hansen) 11. I Want Out (with Kai Hansen)
In Venice Beach, naive Midwesterner JB bonds with local slacker KG and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat, so they set out to steal what could be the answer to their prayers... a magical guitar pick housed in a rock-and-roll museum some 300 miles away.
BABYMETAL's performance at Summer Sonic 2013 marked a significant moment in their early career, as they brought their distinct fusion of J-pop and heavy metal to one of Japan's largest music festivals. With Su-metal, Yuimetal, and Moametal leading the charge, the group captivated the audience with their high-energy performance and unique stage presence. Their set included early hits like "Doki Doki ☆ Morning" and "Ijime, Dame, Zettai," which showcased their blend of catchy pop melodies with intense metal instrumentation. Despite being relatively new to the scene, BABYMETAL's Summer Sonic 2013 appearance solidified their reputation as a rising force in both the Japanese and international music scenes.
BABYMETAL's appearance at the Inazuma Rock Festival in 2013 was a standout performance that solidified their rising star status in the music world. Taking place at the scenic shores of Lake Biwa, the festival saw the young trio of Su-metal, Moametal, and Yuimetal deliver a high-octane set. Their performance was marked by their signature blend of idol J-pop and heavy metal, featuring energetic tracks like "Ijime, Dame, Zettai" and "Headbangeeeeerrrrr!!!!!" The sheer power and enthusiasm of BABYMETAL, combined with the crowd's vigorous response, made their show at Inazuma Rock Festival a pivotal moment in their early career, captivating an audience beyond their usual fan base and showcasing their potential on a large scale.
Concert footage from Babymetal's April 2, 2016 show at the SSE Arena in Wembley, UK. Included songs are Babymetal Death, Awadama Fever, Iine!, YAVA!, Catch Me If You Can, Doki Doki Morning, META! Meta Tarô, Karate, Ijime, Dame, Zettai, Gimme Chocolate!!, The One, and Road of Resistance.
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.