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_**The origin of the ‘Sorcerer Supreme’ (no, not Dr. Strange)**_ In 1506, a former sorcerer (Vincent Price) aids a lesser magician who has been turned into a raven (Peter Lorre) by a great wizard (Boris Karloff). When he learns that the ghost of his beloved dead wife (Hazel Court) has been seen at the castle of the great wizard, they venture there to find out, along with the sorcerer’s daughter and magician’s son (Olive Sturgess & Jack Nicholson). Directed by Roger Corman and written by Richard Matheson, “The Raven” (1963) is a horror comedy inspired by Edgar Allen Poe’s poem, spoofing Corman’s Poe flicks that were popular at the time. It’s amusing in the manner of the future “Young Frankenstein” (1974), yet in lush color. The trained raven is effective while the stunning Hazel Court is a highlight on the feminine front. Meanwhile there’s Nicholson as a strapping young lad. Despite being a comedy, fans of Marvel’s Dr. Strange might be interested in “The Raven” since some of the concepts clearly inspired Stan Lee & Steve Ditko in the creation of that comic book character. For instance, the idea of a sorcerer supreme and the look of Dr. Strange, who initially resembled Price, as well as the mystic mêlée of the sorcerers at the close, which features not only bolts of magic energy but ‘shields’ to thwart opposing energies. Dr. Strange’s debut in Strange Tales #110 was on the racks a few months following the release of “The Raven.” After the film was shot in 15 days, the superbly eerie sets were still available for a few days before demolition. Thus Corman acted quickly to concoct a script via Leo Gordon and enlisted Karloff & Nicholson for the quickie project, which turned out to be “The Terror,” released five months after this one. Boris said it was amusing the way Roger dashed around with him & the other actors filming scenes just a couple of steps ahead of the wreckers. Unlike the goofiness of this film, “The Terror” is a thoroughly serious Gothic Horror in the mold of spooky Hammer flicks, à la “Dracula, Prince of Darkness” (1966). So if you want to see a serious early 60’s horror movie utilizing the same superb sets, check it out. It’s impossible to compare the two since they’re so different in tone, but I favor “The Terror,” which features a young Francis Ford Coppola’s early directorial work in the formidable section shot in Big Sur, California. The film is trim at 1 hour, 26 minutes, and was shot in Los Angeles. GRADE: B-
Welcome to one of the few negative reviews of this film. There is a fine line between cheesy, campy, crappy horror film, and funny horror film. This falls into the former category. The plot concerns three sorcerers who try to outdo each other after they visit the gothic castle home of one. The plot gives way to humor that makes Adam Sandler at his worst look like Oscar Wilde. So many people find this stuff hilarious, but the lack of laughs makes this painful to watch. Corman did one masterpiece film, "Frankenstein Unbound," but his penchant for no budget and little thought to scripts have resulted in films on the level of Ed Wood. No one dares speak of this, however, because Corman is revered for giving up-and-comers their starts and always making a dime. Anyone can make a dime off a celluloid pile that costs a nickel. "The Raven" features Boris Karloff, Vincent Price, and Peter Lorre, and they are all terrible. They mug for the camera, and do not deliver one laugh. Jack Nicholson, young and fit, shows up in time to give no proof he would ever win Oscars. Corman's direction is standard, and Richard Matheson's screenplay seems like it was composed as the film progressed. I would put "The Raven" out for the night.
Fernando Poe, Jr. is back for the fourth time as Panday Flavio to combat evil once more.
A scepter is stolen, and it's hunted for by various groups of international robbers and spies, for various reasons - in a parody of 007 movies.
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
A medieval reenactment troupe struggles to maintain its family-like dynamic amid pressure from local authorities, interest from talent agents, and their "King's" delusions of grandeur.
Seeking vengeance, a man is directed by a sorcerer to cut his child out of his pregnant wife so he can create a miraculous 'ghost child'. Overhearing this conversation, his wife flees into the forest where she ends up giving birth to twins with the help of a kindly woman living there. Afraid her husband is chasing her, the wife flees further into the forest with just one of her children, but dies when she falls off a cliff after being chased by wolves. The wolves raise the child as one of their own, whilst her twin sister is raised by the kindly woman living in the forest.
The Childlike Empress lies in limbo between life and death and the only hope for her kingdom lies in the ability of a young boy to transcend the boundaries of fantasy in this tale of myth and magic that is certain to capture the imagination. As young Bastian opens the pages of "The Neverending Story," he learns that the Childlike Princess is near death and Fantasia is in danger of falling prey to the Dark Princess Xayide. Soon falling through the written page and into a world beyond his wildest imagination, Bastian's alter ego Atreyu must enlist the help of his trusty sidekick Fly Girl and mischievous hucksters Rip Rowdy and Wexlerian if there is any hope of unlocking the mystery of the Southern Oracle and awakening the Childlike Empress to bring order back to Fantasia.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
Charlie Kaufman is a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.
CW Briggs is a veteran insurance investigator, with many successes. Betty Ann Fitzgerald is a new employee in the company he works for, with the task of reorganizing the office. They don't like each other - or at least that's what they think. During a night out with the rest of the office employees, they go to watch Voltan, a magician who secretly hypnotizes both of them.
A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.
A demented widow lures unsuspecting children into her mansion in a bizarre "Hansel and Gretel" twist.