Two Chefs and a Wedding Cake 2023 - Movies (Nov 15th)
Pacific Vein 2024 - Movies (Nov 15th)
Sister Death 2023 - Movies (Nov 15th)
The Killers Game 2024 - Movies (Nov 15th)
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Christmas Couples Retreat 2023 - Movies (Nov 15th)
Beetlejuice Beetlejuice 2024 - Movies (Nov 14th)
OVERLORD The Sacred Kingdom 2024 - Movies (Nov 14th)
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The Chase Australia - (Nov 15th)
Richard Osmans House of Games - (Nov 15th)
Susan Calmans Grand Day Out - (Nov 15th)
Four in a Bed - (Nov 15th)
Jersey Shore- Family Vacation - (Nov 15th)
2DEZIT - (Nov 15th)
The Kelly Clarkson Show - (Nov 15th)
Holidazed - (Nov 15th)
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The 11th Hour with Stephanie Ruhle - (Nov 15th)
After Midnight - (Nov 15th)
Watch What Happens Live with Andy Cohen - (Nov 15th)
Red Flag- Musics Failed Revolution - (Nov 15th)
Alaska PD - (Nov 15th)
Dateline- The Smoking Gun - (Nov 15th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
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This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.
The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1899-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
A main claiming to be from the future explains what we can expect from the next decades, in a frightening glimpse of what's to come.
Reconciliation becomes possible between a gay circus trainer and his mom when he and his husband adopt a student.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.