Rocío

From the 1950s to the 1980s, Catholic priests committed numerous sexual abuses on young boys in several French-speaking villages in New Brunswick. Brought to light when the victims were in their fifties, these scandals sparked shock and indignation in the media and the public. Why have affected communities chosen secrecy over justice and truth for so long? Taking advantage of their influence to impose a "pious silence" on their parishioners, several figures of authority have built a veritable structure of abuse that testifies as much to the oppressions specific to the Acadian populations as to the systemic denial of the Catholic Church. Challenged by the power of collective silence, seasoned filmmaker Renée Blanchar seeks to unravel the root causes by going out to meet the survivors.

King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.

Documentary about three men from Kentucky who claim to have discovered an Old Testament relic for 69-cents at a Madison, Tennessee Goodwill superstore. The men believe that they have found the mysterious Urim and Thummim in the form of a stone cup that allows its users to communicate with God and see visions.

Documentary on the religious group - The Exclusive Brethren, a cult part of the Christian evangelical movement.

Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.

A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.

A short film about the meeting of a Trappist monk and a Zen Buddhist master.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The adventures of Guido Picelli, a man who was a leading light in the history of twentieth-century Italy and Europe. Guido Picelli fought untiringly for the affirmation of social justice and opposed every form of totalitarianism.

A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.