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If I have to be objective, I would say that I can understand why some people criticize "The House by the Cemetery" for being a film that lacks of logical explanations all the way through. As a matter of fact, regardless of how much I love this film and how biased I can be, I admit that it is overflowing with nonsensical and misleading sequences that only add a little bit of confusion. This is not the only occasion in which Mr. Fulci is accused of being ambiguous and practically senile for developing such random and unsystematic states of affairs in one his films. However, it is not the only time in which the results are unquestionably effective and unforgettable either. I think we ought to accept by now that several Italian horror movies, let alone the ones directed by Mr. Fulci, are not exactly to be praised because of their plot and exceedingly appropriate logic. The high point in "The House by the Cemetery", along with many other films directed by Lucio Fulci, is without doubt the atmosphere and pleasant demonstration of fear-provoking imagery. In "The House by the Cemetery", Dr. Boyle moves to the countryside in New England with his wife, Lucy and his obnoxious little son, Bobby. His purpose is to continue an unfinished research and finding out what happened to his colleague, who killed himself and slaughtered his mistress for no apparent reason. Dr. Boyle, who is pretty excited about the research and the fact that he's going to earn five thousand dollars extra, tries to cope with the constant ranting coming from his wife and little Bob, who claims he sees a little girl who says they shouldn't go to the house. Despite the consequences, Dr. Boyle prepares for his research, without even considering that Bobby's so-called hallucinations and lies should be taken seriously. In the cellar of the house, there's something waiting for them. Something that is beyond anyone's nightmare and the Boyles are about to find out what it is. Like I said before, it seems that many people were deeply offended by the lack of logic and while I'm not saying that this is untrue, personally, I don't think it's a blameworthy feature. Building up an extremely sensible story, obviously wasn't Lucio Fulci's strongest suit. However, what this film lacks of logic is surpassed with other things, for instance, Dr. Freudstein, who is definitely one of the most horrendous baddies and his bone-chilling appearance throughout the last minutes. The sequence in which we see the family trying to fight against this outlandish creature, taken from Mr. Fulci's worst nightmares, is by far one of the most shocking and professionally made scenes I have witnessed in a horror movie. Not to mention that there's also a nice share of gore as a bonus for those who are always in the mood for brutal murders and guts all over the place. It seems like I may be one of the few who enjoyed the nonsensical succession, like for example, the flash-back in which little Mae sees mannequin losing her head, or the eyes close-up or the arrival of Ann to the house. Those were some of the most criticized and somehow far-fetched little details that I personally enjoyed, for contributing to develop Mr. Fulci's nightmarish atmosphere, which is somehow his trademark. The music is also one of the things I really enjoyed about this film, although it seems like not many people noticed that little nicety. It's quite melancholic and beautiful. The same music is used from the beginning until the end, which somehow helps to create a less fearful atmosphere in the right moments. I think "The House by the Cemetery" is one of those films that only pleases horror fans who can appreciate Mr. Fulci's movies for what they are, instead of focusing on the ambiguity and the lack of logic. This movie is enjoyable for its atmosphere and nightmarish sequences and frankly...I wouldn't want it any other way.
Not a big fan of Lucio Fulci but I did enjoy Zombie. However, The House by the Cemetery is a mess of a horror film with mysterious elements, like how Professor Norman had been to this town before, goes nowhere (not to mention the mystery surrounding Ann, the babysitter) and despite a short running time, feels really tedious. Beyond that, in Fulci form, and most Italian horror, the dubbing is pretty bad and characters make dumb decisions. On the positive side, at least the gore effects weren't bad and there were a few creepy moments, even Fraudstein's prosthetics effects weren't bad, but everything else supersedes anything good. **2.0/5**
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
Angela's daughter, Annie (aka "Little Red"), mysteriously disappeared, but the police never found her body.
Four young women and three young men, totally strangers to each other, are sent to an isolated house with the crew members of a reality show to stay living together for three months without any means of communication with the exterior, and in the end, the winner will get a prize of US$ 100,000.00. When the cameraman is found dead in a barn, the group becomes hysterical, since nobody knows who is trustful.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
A dysfunctional couple head to a remote lakeside cabin under the guise of reconnecting, but each has secret designs to kill the other. Before they can carry out their respective plans, unexpected visitors arrive and the couple is faced with a greater danger than anything they could have plotted.
During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
An Archeology Professor and antique collector, Laphin, goes trekking through a deep jungle to the Cambodian border to see an ancient palace with two guides. They see a crazy man who runs away when he sees them and drops a small wooden statue of monkey. They keep it. They travel on and come across a village whose inhabitants have all been violently killed by what seems to have been an animal. They leave the village and meet a starving man. They share their food with him and tell him about the statue and the village. He warns them that if they keep the statue which is of the legendary monkey monster named "Kong Koy" to cover it with a small holy cloth or face the "evil". He gives them the cloth and goes. They return home and the statue is stolen by one of the Professor's students, Joe. He removes the protective cloth and conjures up the monkey monster. When Joe, Laphin's daughter Yoyo (Rungnapa "Anny" Brooke, Sherry Ann) and all her friends have a graduation party the beast strikes.
