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If I have to be objective, I would say that I can understand why some people criticize "The House by the Cemetery" for being a film that lacks of logical explanations all the way through. As a matter of fact, regardless of how much I love this film and how biased I can be, I admit that it is overflowing with nonsensical and misleading sequences that only add a little bit of confusion. This is not the only occasion in which Mr. Fulci is accused of being ambiguous and practically senile for developing such random and unsystematic states of affairs in one his films. However, it is not the only time in which the results are unquestionably effective and unforgettable either. I think we ought to accept by now that several Italian horror movies, let alone the ones directed by Mr. Fulci, are not exactly to be praised because of their plot and exceedingly appropriate logic. The high point in "The House by the Cemetery", along with many other films directed by Lucio Fulci, is without doubt the atmosphere and pleasant demonstration of fear-provoking imagery. In "The House by the Cemetery", Dr. Boyle moves to the countryside in New England with his wife, Lucy and his obnoxious little son, Bobby. His purpose is to continue an unfinished research and finding out what happened to his colleague, who killed himself and slaughtered his mistress for no apparent reason. Dr. Boyle, who is pretty excited about the research and the fact that he's going to earn five thousand dollars extra, tries to cope with the constant ranting coming from his wife and little Bob, who claims he sees a little girl who says they shouldn't go to the house. Despite the consequences, Dr. Boyle prepares for his research, without even considering that Bobby's so-called hallucinations and lies should be taken seriously. In the cellar of the house, there's something waiting for them. Something that is beyond anyone's nightmare and the Boyles are about to find out what it is. Like I said before, it seems that many people were deeply offended by the lack of logic and while I'm not saying that this is untrue, personally, I don't think it's a blameworthy feature. Building up an extremely sensible story, obviously wasn't Lucio Fulci's strongest suit. However, what this film lacks of logic is surpassed with other things, for instance, Dr. Freudstein, who is definitely one of the most horrendous baddies and his bone-chilling appearance throughout the last minutes. The sequence in which we see the family trying to fight against this outlandish creature, taken from Mr. Fulci's worst nightmares, is by far one of the most shocking and professionally made scenes I have witnessed in a horror movie. Not to mention that there's also a nice share of gore as a bonus for those who are always in the mood for brutal murders and guts all over the place. It seems like I may be one of the few who enjoyed the nonsensical succession, like for example, the flash-back in which little Mae sees mannequin losing her head, or the eyes close-up or the arrival of Ann to the house. Those were some of the most criticized and somehow far-fetched little details that I personally enjoyed, for contributing to develop Mr. Fulci's nightmarish atmosphere, which is somehow his trademark. The music is also one of the things I really enjoyed about this film, although it seems like not many people noticed that little nicety. It's quite melancholic and beautiful. The same music is used from the beginning until the end, which somehow helps to create a less fearful atmosphere in the right moments. I think "The House by the Cemetery" is one of those films that only pleases horror fans who can appreciate Mr. Fulci's movies for what they are, instead of focusing on the ambiguity and the lack of logic. This movie is enjoyable for its atmosphere and nightmarish sequences and frankly...I wouldn't want it any other way.
Not a big fan of Lucio Fulci but I did enjoy Zombie. However, The House by the Cemetery is a mess of a horror film with mysterious elements, like how Professor Norman had been to this town before, goes nowhere (not to mention the mystery surrounding Ann, the babysitter) and despite a short running time, feels really tedious. Beyond that, in Fulci form, and most Italian horror, the dubbing is pretty bad and characters make dumb decisions. On the positive side, at least the gore effects weren't bad and there were a few creepy moments, even Fraudstein's prosthetics effects weren't bad, but everything else supersedes anything good. **2.0/5**
Three not-so-cool school friends decide to try a old voodoo ritual. Later, they die in a car accident, but live on as zombies. But being a zombie has advantages, too...
Edward Carnby is a private investigator specializing in unexplainable supernatural phenomena. His cases delve into the dark corners of the world, searching for truth in the occult remnants of ancient civilizations. Now, the greatest mystery of his past is about to become the most dangerous case he has ever faced.
Chris Miller, living with her stepmother in a large secluded mansion, finds her isolation interrupted by the arrival of an unknown scythe-wielding killer.
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Eight years have passed since Sara Wolfe and Eddie Baker escaped the House on Haunted Hill. Now the kidnapped Ariel, Sara's sister, goes inside the house with a group of treasure hunters to find the statue of Baphomet, worth millions and believed to be the cause of the House's evil.
Marty Sickle was accused of murdering a young girl inside the slaughterhouse where he lived. Soon after, four college kids brutally hanged Marty in revenge. Legend has it that every year on the anniversary of his death, Marty comes back to kill anyone who sets foot in his slaughterhouse.
After a terrible boating accident, Angela Baker is sent to Camp Arawak, where a series of bizarre and violent "accidents" begin to claim the lives of various campers.
After their car breaks down, a group of young travelers find themselves stranded at a roadside museum run by the mysterious Mr. Slausen and populated by his collection of supernatural mannequins
When a young boy contracts a mysterious illness, his mother must decide how far she will go to protect him from terrifying forces in her past.
When students in the town of Cherry Falls hear that a serial killer is targeting virgins, they realize that the only way to protect themselves is to begin planning a "Pop Your Cherry" party.