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Frenchman Maxime Desmons ("Maurice") relocates to a remote Canadian community where he picks up his acting career. The wages are poor, so he tries to supplement them by teaching folks French. That's where he alights on keen, but shy, swimmer "Allan" (Alex Ozerov). Try as they both might, they struggle to fit in with their respective peers, but they do gradually begin to bond together. The former an outwardly gay man, the latter still preparing for his own journey into manhood. When "Maxime" intervenes during an incident with a bully, the younger man starts to believe that the two could have a future. This is when, using flashbacks and good old community gossip, that we discover just why the actor is now all but hiding in this provincial backwater. Desmons is pretty convincing here, as is Ozerov, but I found the writing a bit pedestrian and there is something distinctly unsatisfactory about the conclusion. The production is good though, the story evolves at a reasonable pace and it does present us with an interesting observation of behaviour that when looked on retrospectively, makes you wonder why people make some of the most basic of human errors when the heart and hormones take over.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
A comedy-drama about best friends - one a straight woman, Abbie, the other a gay man, Robert - who decide to have a child together. Five years later, Abbie falls in love with a straight man and wants to move away with her and Robert's little boy Sam, and a nasty custody battle ensues.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
How do you ask a wild, impetuous hairdresser on a date if you're a pathologically timid philosophy student with no social skills?
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
Far from his home country of Brazil, a gay man goes on a San Francisco adventure with his friends in order to find the right hookup.
Sofiane lives in a high-rise block at the edges of Paris. A violent young man, he tries to be like his gang of friends. However, Sofiane is attracted to guys. Through his contradictions, he embodies the confusion of today's idle young people who have lost their bearings and live withdrawn into themselves.
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
