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> A tale of two sisters. When two nations and it's two different culture meets. Well, I have been waiting for this movie since not so long. It's sad that it was released only in the domestic circuit, but international market would have popularised it. Usually audience welcome this kind multi-cultural themes. I would say poor promotions for such a wonderful movie. It's not a celebratable film, very artistic with the slight touch of Bollywood. The film was based on the book of the same name which deals with the contents on the basis of facts, mostly, about rural India to the first world. It talks about how quickly the life changes. Whether it is good or bad, easy or hard, decisions have to be taken in some tight circumstances. So when you reach a certain point of your life and you look back, you would realise those turning points pulled you to this current life. This film about two sisters who forced to separate at an early stage of life, later who grown up in the different world reveals how they take the truth. The story was short, which suits perfectly to be a short film. But this film managed to run long as the 90 minutes. The stretch was the only issue in this narration, because kind of teases being close to the conclusion but it does not. The topic was powerful, so all the lag are exploited to demonstrate the character bahaviours. More like discovering yourself, your past and your origin and all. > "What is painful is to wake up every single day > not knowing if she's okay." It was the ideal cast, I liked each and every character, well classified. But all the focus was on the two sisters and a slightly lets in the romance track as more like a subplot or to fill the void that much needed to stretch the story briefing. The story had a strong initiation and its ends with the same intensity. In the middle, it leaps too long ahead, leaving those journeys in the life that one must go through till to set free him/herself. That means to be an adult, so that you can determine your path. The film's goal is to signify the two sister's stories together as much as possible, not individually. In some part of the movie, emotionally appeals. The end was good, though disappoints from the other side of the family. The solution was either way, but curiosity arises what might happen after the end. The scientists are looking for who we're and where did we come from, but many among us have their own identity crises. This kind of identity research films feels so good to watch. I recommend it for everyone, but remember you can't be me and you can't feel it as I did. 8/10
In the African American neighborhood of Sag Harbor, Charles Blakey is out of work, out of luck and on the verge of foreclosure on his ancestral home. A knock on the door from mysterious businessman Anniston Bennet brings a bizarre and lucrative proposition; rent his dusty stand-up basement out for the summer and receive enough money to clear his debts for good. Once Charles accepts, he finds himself led down a terrifying path that confronts his family’s ghosts and locks the men in a terrifying puzzle, at the heart of it race, the source of their traumas and the root of all evil.
Ted Morgan has been treading water for most of his life. After his wife leaves him, Ted realizes he has nothing left to live for. Summoning the courage for one last act, Ted decides to go home and face the people he feels are responsible for creating the shell of a person he has become. But life is tricky. The more determined Ted is to confront his demons, to get closure, and to withdraw from his family, the more Ted is yanked into the chaos of their lives. So, when Ted Morgan decides to kill himself, he finds a reason to live.
A beautiful 14-year-old girl has just reached marriageable age in a village in Senegal. She has many suitors; however, she is in love a poor student who has returned to the village while the university is on strike. At birth, she had been promised in marriage to Diogoye, who went away to work in France. Diogoye, who supplied her parents with many things over the years, has now sent a dowry, and asked that she be married to him in the village in his absence; she would then be sent to France.
The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony winner Jefferson Mays plays over 50 roles in a virtuosic masterclass of a performance that must be seen to be believed.
When Terri Hansen (Mary McDonnell) emerges from a fiery car crash as a widow, the local sheriff at first believes her account of the accident. But there's a snag in her story. Namely, a bullet in her dead husband. Just what did happen on that dark desert road? Through a series of telling flashbacks, we and the jury learn the bizarre truth. Randy Quaid and Sam Elliott costar in this riveting drama.
An unmarried aristocrat (Jacqueline Bisset) resists the advances of the adventurous man (Peter Weller) whom she actually desires, causing him to turn his attentions to her new ward (Amy Locane) and a young maid (Karen Dwyer).
When Alice, a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt, the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an "acoustic wonder", his eye color changes and he can hear even the most subtle sounds.