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The Sunday Show with Jonathan Capehart - (Jan 5th)
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Hoarders - (Jan 4th)
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Ainsleys Fantastic Flavours - (Jan 4th)
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Taronga- Whos Who In The Zoo - (Jan 4th)
James Martins Saturday Morning - (Jan 4th)
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Sawa, orphaned as a child by murderous thugs, now targets the scourge of society as a trained killer for a mercenary syndicate. Coquettish and capable of unimaginable violence, she's grown into the perfect weapon — but doubt takes hold in Sawa's mind when her fellow assassin, Oburi, decides he wants out.
The inhabitants of the peaceful village Le-jeute are lured to the factory city with the promise of pleasure. A small group of workers prepare to revolt against the evil factory owner, Morlock. The worker Eud escapes, ending up in the arms of the beautiful Tia. When Morlock captures them both, Eud is thrown in the dungeon, and Tia is subjected to Morlock's sexual appetite.
Shion and Rui are the dream team when it comes to hitting on women. Tonight was going to be another night of hooking up with girls for Shion, but he ended up taking a strange drug. When he woke up... he'd turned into a girl?! Rui came looking for Shion, but didn't recognize him, and started hitting on him
When 19-year-old game-whiz Norikazu finds a strange computer in his backyard, he can't resist tinkering, with disastrous results! He and his lover get sucked inside a nightmarish computer generated world where they are attacked and by demons and lecherous zombies. Who says that love can conquer all?
The all female crew of the transport ship Muse is on a mission in deep space. They pick up an SOS signal and discover a derelict space cruiser where all the women have died mysteriously. They take the only survivor, a young woman named Flair, and detonate the ghost ship. However, the danger is just beginning. With Flair on the Muse, the romances between the women begin to take a new turn. One by one, the crewmembers are attacked by a mysterious alien presence, desperate to find a way to reproduce with human women!
Through a series of obscene animations, the work of iconoclast animator Teruhiko "King Terry" Yumura lampoons a range of cultural icons and taboos: California bodybuilding culture, onanism, hyperviolent cinema, marital bliss, and more. Soundtracked entirely by American funk/soul, each short matches the inherent depravity of its subject matter with an equally crude style, from fake commercials to slice-of-life stories and pornographic picaresques.
Legend has it that the human race is not the only dominant civilization living on Earth. Two other races exist in this world: the Makai (a demon race) and the Jujinkai (a half-man, half-beast race). Once every 3,000 years, a supreme being known as the "Choujin" (Overfiend) will emerge and bring balance to all three realms on Earth. In present-day Japan, after 300 years of endless searching, a Jujinkai named Amano Jyaku has discovered the presence of the Choujin inside high school slacker Tatsuo Nagumo. But now, Amano, along with his sister Megumi and their sidekick Kuroko must protect Nagumo and his new girlfriend Akemi Ito from the Makai, who believe that Nagumo is not the Choujin, but an evil entity bent on destroying all living beings on Earth.
In this sequel to Urotsukidoji: Legend of the Overfiend, the unbelievable sexual violence of the Overfiend and his cohorts from Hell continues to wreak havoc on the earth. Who can stop this relentless onslaught? Urotsukidōji II: Legend of the Demon Womb was originally released as a 2 episode OVA series from December 1, 1990 to April 10, 1991 but was later re-release as a compilation film on July 21, 1991.
It is the age of the Overfiend, and flesh-hungry monsters rule the Earth. Immortal half-demon Amano Jyaku travels the wasteland, witness to the rape and torture of the human race. The last hope for humanity is the demonic Lord of Chaos, the Overfiend's natural enemy. Will the world survive their final battle?
Overconfident 23-year-old Ryouhei somehow lucks into a job at the lucrative skin mag Potato Boy, with his only qualification being an abnormally high sex drive. Immediately smitten with the publication's prestigious editor Yuki (and just about every other female colleague), Ryouhei shows a libidinous instinct that could take Potato Boy to the next level — if he can ever take the job seriously.
The target of hitgirl Mikura is a wealthy baseball team owner, but he turns out to be a powerful underworld boss. Mikura and her team are beset by countless heavily armed bodyguards and the boss' vicious daughter.