Sebastian 2024 - Movies (Oct 2nd)
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The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
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Becoming Led Zeppelin 2025 - Movies (Feb 10th)
Chris Jansing Reports - (Feb 14th)
The Kelly Clarkson Show - (Feb 14th)
Piers Morgan Uncensored - (Feb 14th)
Richard Osmans House of Games - (Feb 14th)
Would I Lie to You - (Feb 14th)
Deal or No Deal - (Feb 14th)
The Tucker Carlson Show - (Feb 14th)
Ice Road Rescue - (Feb 14th)
First Dates Ireland - (Feb 14th)
The Repair Shop on the Road - (Feb 14th)
Robson Greens Weekend Escapes - (Feb 14th)
The Chase Australia - (Feb 14th)
The Chase - (Feb 14th)
Jesse Watters Primetime - (Feb 14th)
Outnumbered - (Feb 14th)
Special Report with Bret Baier - (Feb 14th)
The Five - (Feb 14th)
The Ingraham Angle - (Feb 14th)
The 11th Hour with Stephanie Ruhle - (Feb 14th)
Watch What Happens Live with Andy Cohen - (Feb 14th)
The Rev. Jeff Mosier (Blueground Undergrass) was contracted by Phish in the Fall of 1994, to help them learn Bluegrass. They flew him to Michigan and Mike Gordon picked him up in a limo, and they had their first lesson on 11/14/1994, same night as Grand Rapids.
Tracking (1994) is a documentary about the band Phish and the recording of the album Hoist. It is directed by the band's bass player, Mike Gordon, who wrote, for the VHS packaging: While in the studio recording the album 'Hoister' (sic) I sported a video camera. Sometimes I pushed the record button. Others, the stop. Alas, I edited. Using machines small yet sweet, I assembled Tracking. This isn't about railroad tracks or stuffing things up the tender nostril. It's about 48 tracks of sound, adjacent on strips of plastic. Like mixing lilac petals, coriander, chunks of butter, and fennel into a soup. Tracking is the recording of different sounds, adjacent on strips of plastic. . . . Many of the musicians on the album, Alison Krauss, Béla Fleck, and actor Jonathan Frakes, are shown recording tracks that eventually wound up on the album. The documentary is approximately 25 minutes long and was produced by Cactus Films.
On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.