Third Eye

A TV documentary crew arrive on a remote island in the Philippines to film a survival special. Their back-to-the-wild adventure proves to be more terrifying than they ever could have imagined

This Filipino vampire film co-directed by Peque Gallaga and Lore Reyes tells the story of an aswang, the traditional shape-shifting creature of local legend. Here, the vampire makes appearances as a giant snake, a young woman (Alma Moreno), and a withered old hag (Lilia Cuntapay). The aswang has a lengthy cinematic history, having been the subject of the first sound film ever produced in the Philippines (1932's Ang Aswang) and migrating, in somewhat altered form, to films in Hong Kong, India, Japan, and, in 1994, to the United States. Aiza Seguerra co-stars with Janice de Belen, Aljon Jimenez, John Estrada, and Alma Moreno.

A family of bloodthirsty monsters descends on the city to take revenge on the man that caused the death of so many of their own.

With dark shades on and a burning cigarette between his lips, Makoy will do whatever it takes to get back his girlfriend Sonia, who’s pregnant with their child. He makes the trip to remote Pulupandan, her hometown, and is quickly rebuffed by Sonia’s mother Fely. But Makoy has never been one to give up. With the help of Sonia’s father Nestor and his ever-dependable helper Bart, Makoy stays in town to surprise Sonia on her birthday. But alas, Makoy gets into trouble with a group of townsfolk who transform into tiktik—horrific, man-eating creatures with a taste for fetuses that are still in the womb! They are angry, and they are hungry for revenge. Will their thirst for blood and retribution be quenched? Will Makoy finally get his act together, protect Sonia and their baby, and once and for all prove himself worthy of their love? Who will win in the battle between men and monsters?

A group of unsuspecting teens are menaced by assorted creatures from Philippine mythology. The screen eventually becomes a virtual peep-through Jurassic Park of horrifying creatures from the netherworld.

A Manila professional determined to unearth the mysterious disappearance of her younger brother. Plagued by guilt over neglecting and ignoring the needs of her brother, she takes a bitter and scary journey to the island of Panay where her brother was last seen. On her way to the dreaded town of Panitan, Maricel runs into a group of students who are on a research project to disprove the existence of witches in that town.

An old professor in love with one of his students is rejected by her because of his advanced age. He then sells his soul in return for youth and a chance at love but things don't go as he planned.

A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").

Jess, a struggling dancer, is trying out for a part in a musical about Medusa. As she practices, the director notices how much she resembles his former lover, a ballerina who died in a bizarre on-stage accident while performing the exact same dance that Jess is doing. As more unexplainable coincidences surround the production, someone or something must be behind them all. But who? Or what?

A woman suffering from dementia relives her traumatic past

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.