Blow-Ups of 1946

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Elissa Landi and Charley Chase host an East Asian themed garden tea party in Hollywood. After introducing a few Hollywood luminaries who are attending the party, they present a number of musical and/or dance performances to entertain the crowd. This set of performances also includes ethnic Chinese actress Anna May Wong modeling some fashions she brought back from her first ever trip to China. Through it all, one of the guests, already inebriated, is having a few problems mixing and serving the cocktails he wants.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

Professor Pierre Ginsberg is having wife trouble and, on the advice of his lawyer, sets out to wear her down with kindness; she wants constant entertainment his lawyer promises him that a month of dancing and entertainment will eventually kill her or, at least, calm her down some. The exact opposite happens and Professor Ginsberg stands a good chance of dying himself. He manages to sing a song, in the best Willie Howard style, along the way.

Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship.

Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro/microcosm, an abstract model of revolution and the beauty of daybreak.

A determined young boy living in a small village strives to obtain enough money to purchase a ticket to the cinema.

Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.

Musical short.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

About the English musician, composer, record producer, singer, writer, and visual artist, Brian Peter George St John le Baptiste de la Salle Eno, made shortly after his departure from Roxy Music. Featuring the recording sessions for Eno's record "Here Come the Warm Jets". A long lost documentary.