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Maybe now, a few decades after this was made and when the politically correct brigade advocate that only gay actors should play gay roles, they ought to watch this and see just how engagingly two straight blokes can do what it says on their CVs and act! This is quite a witty and telling retrospective on the turbulent lives of playwright John "Joe" Orton (Gary Oldman) and his general factotum, friend, confidante and part-time lover "Kenneth" (Alfred Molina) set at a time when homosexuality in the UK was starting to emerge from the shadows of illegaility and, even amongst the more theatrical fraternity, was still frowned upon. What now ensues sees their relationship vacillate wildly, temptation rear it's ugly head and an unattractive degree of thoughtless, even callous, behaviour creep into Orton's behaviour towards his obsessive friend. Jealousy and toxicity aren't far away either, especially when Orton starts to see the fruits of his labours and makes a few quid. It's quite possibly the most perverse of love stories and there's a palpable chemistry that straddles loving and loathing between these two men that's well delivered by Orton, yes, but more so by the emotionally cuckolded character played by Molina. It's entertainingly speculative in nature, but that's delivered plausibly and epitomises a great many relationships where success profoundly alters the dynamic with drastic effects. It's also an interesting glance at the hypocrisy of public attitudes in the UK in the late 1960s and though not quite so potently, still resonates today - long after the "Section 28" debate that was about to hit the UK shortly after this was made. Good soundtrack, too.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
Richard Wagner is working on his new opera "Tristan and Isolde". Mathilde Wesendonck and her husband, the silk-merchant Otto Wesendonck venerate Wagner. Mathilde is turning from a loving mother into a muse of the new music.
Two boys play poker on a dull afternoon. As one boy inadvertently touches and makes eye contact with the other, it sparks a beautiful, imaginative dance.
The life of iconic politician Nandamuri Taraka Ramarao (NTR) after meeting Lakshmi Parvathi, his second wife.
When Wyatt returns home for the holidays to try to convince his mom to sell their family ranch, an unexpected romance with handsome ranch hand Heath may throw off his plans.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 1: Hard Love contains nine complete films: Hong Khaou's "Summer" starring Peter Peralta and Jay Brown; Michael Simon's "Gay Zombie" starring Brad Bilanin, Ryan Carlberg, and Robin McDonald; Jason Bushman's "Serene Hunter" starring Eric Debets, Flannan Obé, and Jonathan Blanc; Timothy Smith's "Le Weekend" starring Omar and Fernando Peres; Jean Baptiste Erreca's "Cowboy Forever" featuring Govinda Machado de Figueiredo and Jones Carlos Fialho de Araújo; Damien Rea's "Scarred" starring Chris Anderson, David Durham, and Lara Cazalet; Tim Hunter's "Packed Lunch" featuring Kevyn Boemia, Chris Sayers, and Steven Quigg; John Winter's "Mirror Mirror" starring Roy Billing; and Maxwell Barber's "VGL-Hung!" starring Marcus Proctor, Jeff Chandler, and Ashley Ryder.
A wealthy, Nigerian-American teenager is pulled over by police, shot to death, and immediately awakens, trapped in a terrifying time loop that forces him to confront difficult truths about his life and himself.
Nina and Madeleine have been sharing their lives and the landing between their two apartments for decades. After more than 20 years of loving in the shadows, Madeleine promises Nina she will tell her family the truth. It takes an unexpected event to show her the importance of living your truth.
Madame Olga is the owner of a luxurious brothel in London, England. One of the brothel's new clients, a young man, falls in love with her. He wishes to have more than sexual relationships with the woman.
