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**_By-the-numbers third instalment lacks the imagination of the previous one_** Five teen girls hold a slumber party when the parents of one of them are out of town. As several guys crash the party someone with a huge drill and murderous intent also invades the proceedings. "Slumber Party Massacre III" (1990) starts out promising, but becomes routine by the midpoint and never recovers, which isn’t helped by increasing tastelessness. While it’s arguably on par with the first film from 1981 (which I slightly prefer), it lacks the impressive creativity of 1987’s part II, which had pizzazz. A marginally more effective slasher with the same plot is the contemporaneous "Sorority House Massacre II.” Protagonist Keely Christian (Jackie) stands out in the female cast and looks sublime on the beach, followed by Lulu Wilson (Juliette). Meanwhile winsome Devon Jenkin is featured in a small part as Sarah. The brunette with the over-the-top hair, Maria, is showcased the most, but she didn’t appeal to me, although it’s a matter of taste. The film runs 1 hour, 27 minutes, and was shot at Venice Beach (beach sequence), Venice (the interiors of the house at Roger Corman's studio) and northern Los Angeles (the house exteriors). GRADE: C
Which one was this? I can't really remember. I do, however, know it was the movie where they hire a lot of women and require them all to take their clothes off. I recall a shower scene in there somewhere. And then I remember the women running around screaming in undies that are really only worn in the bedroom. Was there a plot? Not really, it was just an excuse for nudity and undies. But, you already knew all of that when you sat down to watch this. Because, honestly in film making, they aren't really trying to pass it off as anything other than an excuse to film young naked breasts and you don't really get anything but that. So, why are you reading this? You know exactly what this movie is about. You knew that before you even clicked on this review. But, at least the review is as honest as the movie. If you are expecting more than that, there is something seriously wrong with you.
Courtney is tormented by dreams of the infamous Driller Killer returning to wreak havoc... only to find that the murderous monster is reincarnated as an evil rocker.
When the razor blade slasher begins his reign of terror in the alleys behind the Los Angeles strip clubs, the most famous stripper in the spotlight must walk a tightrope between her own fragile sanity and the inescapable murderer's blade.
A troubled N.Y. fireman suffers from PTSD after working the events of 9-11. Seeking a fresh start, he relocates to a small town. His nightmares, however, do not subside as the population of the town decreases.
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Eight different people are invited to their 10-year high school reunion at their now-closed down high school where a former student, disfigured from a prank gone wrong, is there to seek revenge.
Filmed live at the Wiltern Theatre in Los Angeles, REVOLUTION is comedian Margaret Cho's triumphant return to the screen with the same unbridled, no holds-barred humor that infused her previous two concert films. In REVOLUTION, Margaret tackles the axis of evil, her travels through Thailand's red light district, the explosion of child birth, bartering sex for household chores, revolutionizing one's self-esteem, the joy of bodily functions, her loser ex-boyfriend, and of course, her now world-famous mother. Known as much for her social activism as she is for her raunchy humor, Margaret is a one-of-a-kind phenomenon who once again brings her distinctive and empowering personal voice to her devoted and adoring fans.
After two years of waiting, Adam and Ellas first part of the application for a „licence to procreate“ has been successfully reviewed. To complete the process, the request is followed up with an obligatory and final interview in the intimacy of their home. Their fate is now in the hands of the government clerk Gudrun Paschke.
A high-powered attorney duct tapes her adulterous husband to the toilet ... right before their home is invaded by burglars.
Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.
A group of girls having one last get together are stalked one by one by a sadistic, masked killer.
