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Gangster rap is pretty far removed from my wheelhouse, and I've never followed N.W.A. closely enough to know if this biopic an accurate depiction of their career, but; a good movie is a good movie is a good movie. And _Straight Outta Compton_ undeniably is that. _Final rating:★★★ - I personally recommend you give it a go._
**The rise of the Rap music!** There were lots of debate over this film's snub from the Oscars, but I'm not here to talk about that. As a film, it was awesome and as a biographical film, even more awesome, but not an inspiring film that I was expecting. There were many bad things in it, like the language and character portrayals. Though hats off to the filmmakers for rendering the it with the bold contents. I don't know if it being true to the actual events, but anybody can feel how those circumstances would have been for those involved in the real. One thing is for sure, the film is not for the families. The first half was the reason which was very negatively appealed, particularly the racism and police abuse preoccupied rather than telling the actual story. But the next half was much better. I liked it because of that part which crafted so brilliantly. That's where the real journey begins. Well played characters, everybody who repressed those real ones were done incredible job. This film revealed something I did know. Like how the Rap music got so popular. I quite belong to the same generation where this thing got its revolution. It was like another 'Lords of Dogtown' where the young guys made skateboards popular, but here it was the Rap songs. It was a two and half hour long film, longer than an average film length, but the pace was good. Except the strong contents, the narration never looked dull. I totally enjoyed watching it, a good film for adults, particularly those who love Rap music must not think of missing it. _7/10_
Quality film. I thoroughly enjoyed 'Straight Outta Compton', it had me gripped all the way through. That's despite me having little to no knowledge of N.W.A, I knew of their name and of Ice Cube and Dr. Dre but basically zilch about their actual story. I couldn't comment on how true it is to history, but as a film it's fantastic. You have great performances from O'Shea Jackson Jr., Corey Hawkins, Jason Mitchell and Paul Giamatti. Mitchell impressed me most as Eazy-E, while the casting of Jackson as Ice Cube - his father, of course - was a masterstroke. All the cast do very well, in truth. I love how gritty the film is too, it feels real - at least as real as film can get. There is some neat cinematography in there, while the music is entwinned nicely. The pacing is almost perfect, aside from a few moments in the middle. I also rate how it all ends, in terms of the story but also with the end credits. There's heart in there.
A documentary that explores the challenges that a life in music can bring.
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
A stylized neo-western about a day in the life of a Teddy Boy in 1959. Marty is living the life of a public menace within his own town. Getting into fights and causing disruption on the streets, Marty is the 'King of the Teds' - or is he?
The aftermath of a shocking explosion at the Chernobyl nuclear power station made hundreds of people sacrifice their lives to clean up the site of the catastrophe and to successfully prevent an even bigger disaster that could have turned a large part of the European continent into an uninhabitable exclusion zone. This is their story.
A seasoned bouncer is forced to deal with severe consequences after letting two minors slip into the nightclub, he's employed to guard.
'Sugar' Ray is the owner of an illegal casino and must contend with the pressure of vicious gangsters and corrupt police who want to see him go out of business. In the world of organised crime and police corruption in the 1920s, any dastardly trick is fair.
Manhattan drag queens Vida Boheme and Noxeema Jackson impress regional judges in competition, securing berths in the Nationals in Los Angeles. When the two meet pathetic drag novice Chi-Chi Rodriguez — one of the losers that evening — the charmed Vida and Noxeema agree to take the hopeless youngster under their joined wing. Soon the three set off on a madcap road trip across America and struggle to make it to Los Angeles in time.
A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
After a phone call from his ex-girlfriend, teenage loner Brendan Frye learns that her dead body was found. Vowing to solve her murder himself, he must infiltrate high-school cliques that he previously avoided. His search for the truth brings him before some of the school’s roughest characters.