Miners Shot Down

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

A theatrical documentary about Hrytsko Chubai, a genius of Ukrainian poetry, a connoisseur of literature, art and music and the brightest representative of Lviv underground culture of late 60s early 70s.

Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

This short documentary is a tribute to the unknown father. Emerging filmmaker Danic Champoux poses the question "How many men still have to uproot themselves and leave their families to get work?" as he sets out to search for his own father. He wonders about these men who are labourers, itinerants, and mostly nameless, but who are all exemplary providers. But at what cost? This film was produced as part of the Libres Courts collection of first-time documentary shorts.

In the late 1960s and early 1970s, girls aged 12 to 16 began working at Pyeonghwa Market. Running sewing machines, they also study the Labor Standards Act under the tutelage of Jeon Taeil. On September 9, 1977, they were imprisoned fighting against the government that closed labor classes, shouting, “The next Jeon Taeil will be a woman!” Now the middle-aged girls recall the memories of the life of female workers, social contempt, and stigma. Watching the sunrise in the East Sea, they admire, ‘How fair it is because everybody can see it.’ Sewing Sisters rewrites the history of maledominated Korean labor struggles in the 1970s with news interviews of female workers belonging to the Cheonggye Clothes Union.

The film, which is the second part of an ongoing historical series, covers the seminal labor-related events which occurred between the late 1800's and the 1920's. Its subtitle refers to a 1915 song composed by Ralph Chaplin as an anthem for unionized workers. The film itself is the cinematic version of that anthem, as it allows us a comprehensive understanding of the need for these early labor unions, and the enormous sacrifices of its members to ensure fairness, safety, and equality in the workplace.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.