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Ya can't go wrong in this town if you say Yep to the right people and Nope to the rest. Flamingo Road is directed by Michael Curtiz and adapted to screenplay by Robert Wilder from his own play of the same name (with Sally Wilder). It stars Joan Crawford, Sydney Greenstreet, Zachary Scott, David Bryan and Gladys George. Music is by Max Steiner and cinematography by Ted D. McCord. When circumstance sees Lane Bellamy (Crawford) stuck in Bolden City, she quickly finds herself embroiled in a love affair and involved in a war with political tyrant Sheriff Titus Semple (Greenstreet). The Moody kind always cause trouble. Southern Gothic - cum - politico melodrama with noirish tints, Flamingo Road gets above average due to high tech credits and a superbly nasty turn from Greenstreet. Essentially the pic is about a girl from the other side of the tracks making her way up the social ladder, but she has to lock horns with a nasty piece of work and battle with affairs of the heart. Flamingo - Affluent - Road! It's strong on narrative terms, the screenplay neatly blending the greed of political posers with almost perverse social wiles. Curtiz (Mildred Pierce/The Unsuspected) and McCord (Johnny Belinda/The Breaking Point) keep it brisk and atmospherically moody, while the impressive Greenstreet - all sweaty, ambiguous and devilish, is surrounded by a more than competent cast of supporting players. What of Crawford? Wisely "requesting" that Curtiz be given the director's job, she's compelling and classically committed to the role. It's true to say she is too old for the character, something which her fans are known to hate reading, while both the actors playing her love interests are almost 10 years her junior - which is a bit of a reality stretch for the era. However, such is her acting ability, she gets you on side quickly, with the makers shooting her in soft focus and the writer giving her good work to use off of the page. A strange movie in some ways, but intriguing and sharp and it's never dull. While the quality on show from both sides of the camera is most pleasing. 7/10
In southern France, a Franco-Arabic shipyard worker along with his partner's daughter pursues his dream of opening a restaurant.
A Brooklyn postal worker follows her Egyptian boyfriend to Cairo where she takes belly-dancing lessons from a legendary but disgraced Egyptian dancer.
In the 1980s U.S. Rep. Charlie Wilson, Texas socialite Joanne Herring and CIA agent Gust Avrakotos form an unlikely alliance to boost funding for Afghan freedom fighters in their war against invading Soviets. The trio's successful efforts to finance these covert operations contributes to the fall of the Soviet Union and the end of the Cold War.
Leni takes Rafi to meet her family in Madrid. Leni's family is Jewish - mother, father, older sister and daughter, brother, and grandfather. Rafi is Palestinian, in Spain since age 12. Before her father returns from work, Leni reveals Rafi's origins. He accidentally drops a block of frozen soup out the flat window, probably killing a passerby. Leni initiates a cover-up and Rafi figures out the body is probably Leni's father. The body disappears and without telling the rest of the family what they know, Leni and Rafi organize a search for dad. Mom is sure he's having an affair. Leni's belly-dancing sister kisses Rafi. Her brother grabs a rifle to shoot the Arab. Can anything be put right?
The film is about the relationship between crazy scientist George Edison and his son Leo. After being electrocuted as a child, Leo is no longer able to touch people without electrocuting them.
A musical comedy centers around the dreams and ambitions of a group of friends,who support each other in all the problems they face whether personal or professional.
An Egyptian man falls in love with a Polish woman and gets a scholarship to be with her. Meanwhile, an American student decides to seduce him for revenge.
Saracen pirates aboard the "Black Eagle" attack Christians strongholds along the coast of Spain. When they stop off in Sheba to re-supply, they also buy female slaves and end up fighting over them.
Shalimar, an Egyptian princess, striving to rid her country of its Bedouin conquerors, forms an alliance with Prince Haidi, son of the Caliph of Bagdad. She practices her intrigues both at the court and, disguised as a dancing girl, in the market place.
We seek to find the inner light of each one and thus turn on new lights, to leave the paths illuminated, so as not to walk blindly and alone. It is having a real awareness of our actions, that our life is a commitment and that if each one of us acts, a great change will be seen in the world. The power of life is to give us existence.
