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The problem with this is that it just takes forever to get past the introduction of the rather insipid characters and become interesting. "Johnny" (Johnny Arthur) is the wimpish store-man who shares a shine on the boss's daughter "Betty" (Gertrude Olmstead) with the slightly more sophisticated "Amos" (Hallam Cooley). Now "Johnny" has just finished qualifying as a private investigator and decides that a local missing person might be a suitable place to start his sleuthing career. The action, such as it is, all centres around a disused sanatarium and when his gal and his rival get stuck there requiring rescue, all three (eventually) meet "Dr. Ziska" (Lon Chaney) and it's soon pretty clear that he is up to no-good. It's a slow burn this, and Chaney isn't anywhere near his best - but to be fair, this isn't the chunkiest part for him (or us) to get immersed in. There are some fun, almost slapstick, moments and electricity plays quite a significant role as our threesome try to escape the clutches of their menacing host. Loads of rain, a tightrope walk and a rather decrepit motor cycle cop also try their best to liven it up and at times Roland West hits the spot. Just not quickly or often enough to make this film much to write home about.
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.
Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.
Mo Geum-san is a barber living in the rural area, who once aspired to be an actor. He starts to have doubts about his humdrum life after the village health center advises him to be examined at a larger hospital. He comes up with a plan to give a gift to his beloved ones in the coming Christmas. The plan is to invite everyone to the local culture center and to screen his self-made comedy movie based on his own tragic life.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
One monkey is stealing eggs from the farmyard. Another monkey, with his dog friend, tries to stop the crook.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.