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The Angels of Death. The Two Mrs. Carrolls is directed by Peter Godfrey and adapted to the screen by Thomas Job from the Martin Vale play. It stars Humphrey Bogart, Barbara Stanwyck, Alexis Smith, Nigel Bruce, Ann Carter and Patrick O’Moore. Music is by Franz Waxman and cinematography by Peverell Marley. Completed in 1945 but not released till 1947, The Two Mrs. Carrolls is one of those films that has an abundance of stories to match the abundance of divisive reviews. Various biographers and cinema writers tell a different story about stuff like what Bogart and Stanwyck thought of the movie, why they did it and so on. It’s now hard to know exactly what the truth is anymore! So what about the film on its own terms then? Undeniably the critics of the time were right to point out the similarity of The Two Mrs. Carrolls to such fine movies of the time like Gaslight, Suspicion and Rebecca, in fact the delayed release is thought to be because of Gaslight’s success in 1944, while there’s even a slice of Dorian Gray about it as well. Having these massively popular films as benchmarks has kind of crippled “Carrolls” reputation, because quite frankly it’s not close to being in the same league. However, if one can judge it on its own terms, this is very good Gothic thriller entertainment. Plot is essentially Sally Morton Carroll (Stanwyck) as a newly wedded wife who comes to realise her husband, Geoffrey (Bogart), is not the charming loving man she thought he was. He’s the tortured artist type, who needs his muse to be kinked to produce his best work, thus the thriller conventions do proceed as Sally unearths dark truths and becomes a woman in peril. Various colourful characters are added to the mix; Smith’s head turning sex bomb, Bruce’s alcoholic doctor, Moore’s lovelorn ex boyfriend and Carter’s sprightly young daughter. The Carroll house is filled with many Gothic textures, marking it out as place ripe for dark deeds and the unfurling of sinister secrets. Godfrey, though guilty of letting the pace sag all too often, does insert some great mood accentuating scenes. Episodes with the fearsome paintings strike a chilly chord, a raging storm unloading as the curtains billow has the requisite haunting feel, and Geoffrey finally going over the edge produces a superb crash – bang – wallop scene. Marley’s photography is suitably shadowy via lighting techniques, and Waxman provides a typically genre compliant musical score. On the acting front there’s not a great deal to write home about, Stanwyck isn’t stretched beyond being just professional, and as committed as Bogart is, he’s an odd choice for this type of role. Bruce is typecast as another Dr. Watson character, while Smith is badly underused. The latter a shame as she leaves a favourable mark slinking about like a leopard, in fact it’s probably no coincidence that she shows up late in the film wearing a leopard skin scarf! All told it’s a little draggy in places and often shows its stage origins, but when it hits Gothic stride it’s worthy of viewing investment. And yes, even if Bogart doing Bluebeard isn’t the right fit. 7/10
Swapaanam (Malayalam: സ്വപാനം) (English translation: The Voiding Soul) is a Malayalam film directed by Shaji N. Karun and produced by M. Rajan for Horizon Entertainments. The film features Jayaram and Kadambari in the lead roles,[1] alongside Siddique, Vineeth, Lakshmi Gopalaswamy in supporting roles. The cinematography was held by Saji Nair and music was composed by Sreevalsan J Menon, while the script was written by Harikrishnan and Sajeev Pazhoor, based on Shaji’s own story.[2] The film was screened in the Dubai International Film Festival.[3] The film released with Auro 3D sound in selected theatres, becoming the third Indian film to employ the technology after Vishwaroopam(Tamil) and 1- Nenokkadine (Telugu).[4]
Dedicato al mare Egeo is a forgotten and bizarre co-production produced between Italy and Japan from 1979, starring the famous Italian porn star Illona Staller (Cicciolina) and directed by the famous Japanese pinter, printmaker and novelist Masuo Ikeda (1934–1997) from his own script based on his novel “Ege-kai ni sasagu”, for which he won the Akutagawa Prize, the most prestigious literary award in Japan. Ikeda’s vigorous artistic activity even included screenplay writing and film directing. With this movie, Masuo Ikeda has undoubtedly left his mark on the ’70s Italian skin cinema.
A poet falls in love with an art student, who gravitates to his bohemian lifestyle — and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
A Somali billboard repairman working in Dubai decides he wants to experience some of the products advertised on his billboards. It’s an experience that begins innocently enough, but quickly spins out of control, especially when a con man enters the picture.
With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
A satire on the relationship between fame and integrity in the life of eccentric characters exploring the "art" of making noise using trash and everyday objects.
"Cool Young" tells the story of the emotional life of employees in a grey area of Chinese society.