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> One of the finest movie about the raids on cartel gangs. This was really a great film. Fighting against the drug trafficking was the theme. The story of an FBI agent who was recruited to work in an elite force that no one knows its existence. Their's aim is to tackle the main source, instead to deal with its lower order. Something that impossible to do without international cooperation. Every raid is done in secretively, sometime if required at any cost in whatever effort to stop it. Like I said, this was an awesome movie, and good to see it after the documentary like 'Cartel Land'. The story is kind of hard to detail it out, because it was more an action movie than the talking. How a special force unit goes after the bad guys and stops them is the main plot. But the characters were so distinctive, every main roles had their own agenda for what they are doing and that's how the narration dominated with the high standards. The cast who played them were simply outstanding, including that starts with Emily Blunt, who is someone looks changed the attitude to play physically challenging roles after 'Edge of Tomorrow'. And then Josh Brolin and another one, an upcoming young British actor who I really don't know, but Benicio Del Toro was actually the show stealer. His part was unexpectedly great, totally raw and aggressive. Especially the his end scene, no one could have guessed it, but that's how the way it is. No doubt any top actors would have denied to perform that, anyway well shot with minimum violence, but the intention was very clear as fighting against the dark forces to cut off the head first. One of the best movie of the year, so definitely recommended if you're interested. 8½/10
An stereotypical plot with, somehow, some interesting addition. The plot is not superb but the script is really good, Del Toro makes a good performance and, as alway, a great pleasure to watch any movie with Emily Blunt on it. Great performance. The directing is also really good and the soundtrack is remarkable, creating quite an atmosphere. Finally, the action scenes are very well done, with a sense of contempt. No fireworks here, just something that can be the closest to reality.
'Sicario' was a really good action film. The acting all around was very good (in particularly Emily Blunt). The set pieces were very well made. ★★★½
Not since the opening farmhouse scene from _Inglourious Barsteds_ have I seen such masterful control of palpable tension. _Final rating: ★★★½ - I strongly recommend you make the time._
Still a fantastic crime suspense-thriller featuring great performances but one better than Benicio Del Toro who should have gotten an Oscar nomination for that role, not to mention the direction from Denis Villeneuve. As always Roger Deakins's cinematography was brilliant. **4.75/5**
**A good kind of mystery** A security operation through which a large number of corpses are explored reveals that there is a cartel war rising on the horizon, but in a hidden way, and ends with the formation of a team to eliminate the cartel in Mexico and target the big heads. The film focuses on the points of view of 3 people in the direction of the case, the first is Kate, a beginner who follows the laws strictly and considers that the mission is a moral responsibility, the second is Alejandro as Benicio Del Toro, who is experienced with mysterious intentions, and the third is Silvio (asiliano Maxim Hernandez), the Mexican policeman on his mission own. All of these personalities have their own side, who pulls the other into his world, and who is the correct point of view among them. The film focuses on questions and personalities, not events, in order to reach the Mexican cartel. Each character has a special direction to reach the goal, and this makes their opposing ideas cause a sharp collision between order and chaos, and between formulas that allow bad action and the fine line between good and evil. The film's opposing characters gave the film a mystery and made us wonder what exactly is happening and why it is implemented in this way. Then we quickly get to know the characters, but they are opposite through their actions and reactions. With these details, the director and writer were able to communicate their point of view to the viewer, and it was three things: how and when does information reach the viewer How do they hide this information, how do they benefit from this concealment, and finally how is tension built. Are Kate right or Matt and Alejandro right? Those who made Kate a marginalized role, so why did they choose her from the beginning until she abused her reactions, as if they were deliberately provoking her? We see the words of Matt and Alejandro and their side conversations, as well as their planning and movements with the mission and Kate, and we do not know what is happening, but when the information reached us, it reached us without value, as if they were taking advantage of Kate's ignorance and her presence for goals, but she is in the first place These targets are unknown. These vague goals are considered a problem in the subtraction, because when the viewer is not aware of what is happening, the matter becomes blurry and the events are considered vague, but Kate, since she is the character, has the same problem as the viewer, so she became a source of strength and is the basis of the course of the movie. It was wonderful when you see a mystery of this kind.
Great cast performances! 'Sicario' has a lot going in its favour, for example the cinematography and the sound design, but it is those onscreen that elevate this release up for me. Emily Blunt is excellent, Josh Brolin is very good himself. Benicio del Toro is, though, the strongest performer in my opinion, I thoroughly enjoyed watching him portray Alejandro. Elsewhere, neat to have Jon Bernthal involved, Daniel Kaluuya too. I will say that the film didn't totally enthrall me as much as I was anticipating/hoping it would, but that's not to take away from the fact that this is an entertaining movie and one that is definitely worth a watch. Looking forward to seeing what the sequels hold.
When a domestic mission goes quite spectacularly, if quite innovatively, wrong the enthusiastic but somewhat naive FBI agent "Kate" (Emily Blunt) is offered a chance to sign up for a team that's going to avenge things. It's to be run by "Graver" (Josh Brolin) and feature the strong, silent and enigmatic type that is "Alejandro" (Benicio Del Toro). She doesn't much like the look of him, indeed she finds the whole operation a bit dodgy but off to El Paso they go to try to stop the war against the increasingly well armed and successful drug cartels. Their objective is not to tinker with the mechanics of these operations, but to identify the kingpins and remove them from the board. What she (and we) soon realise is that this is one of those missions far more clandestine than it is lawful. Plenty of rules are stretched, ignored or just downright broken as their team must fight with the weapons of the enemy if they are to have any chance of tracking down their primary target - "Manuel Díaz" (Bernardo Saracino). What she also comes to realise quite quickly is that she is not fully briefed, indeed she is being drip fed information in a fashion that frequently drives her to want to throw in the towel. She prevails, though, and as the plot unravels we are all exposed to a ruthless, efficient and internecine network that is easily a match for it's theoretically better armed and informed pursuers. It's also at this stage that we appreciate that "Alejandro" does have his own agenda, and woe betides anyone who gets between him and his self-appointed task. Though Brolin is really neither here nor there here, this features a strong effort from Blunt as "Kate" comes to terms with some fairly profound challenges to her morals and principles. Del Toro doesn't have too much to say, but again he delivers well in his usual less-is-more style. Little dialogue just a menacing style of characterisation that you just know is only on her side until, well, he might not be. It hits the ground running and takes care to establish characters that are plausible, if not especially likeable, whilst showing us what might be as true an assessment of the war for control of the billion dollar narcotics industry as we'll have seen on a big screen.
It's been three months since the Sacred Sword War ended, & Kojiro and Ryoma are nowhere to be found. Back at the villiage of the Fuma clan, a group calling themselves the "Shinsei Fuma clan" forms, calling for an end to the clan of old... And those who are not with them are considered the enemy.
The leader of a South African Nation is imprisoned. His followers, led by Zabo, hijack a plane with the intent to use the passengers as hostages to trade for his release. They select a plane carrying a religious leader to use as their main hostage. They soon learn that they have an added bonus of the daughter and grandson of Colonel Shaw, a bigwig in the country. The grandson all the while has to cope with the dual problems of being hijacked and held hostage while needing a kidney transplant. The hijackers have everything in their favor, except that the colonel's daughter is the sweetheart of Major Sam Striker. Striker puts together a band of mercenaries and sets about freeing the hostages.
The gang leader, Erol, has the relatives of the businessmen killed. So he intimidates them and takes away their company. The police suspect Erol for repeated crimes. In order to obtain evidence, it is decided to kidnap Erol's fiancee. However, Erol realizes the intention of the police.
Two romantically involved corporate spies team up to manipulate a race to corner the market on a medical innovation that will reap huge profits and allow them to lead an extravagant lifestyle together.
Following the fortunes of tough cop Sadhu Agashe both in his fight against crime and in his personal life. Garnering newspaper headlines for his crime-fighting activities, he also makes some enemies in the police department, most notably in the form of his superior, who believes his officer has gone too far.
In 1880s Australia, a lawman offers renegade Charlie Burns a difficult choice. In order to save his younger brother from the gallows, Charlie must hunt down and kill his older brother, who is wanted for rape and murder. Venturing into one of the Outback's most inhospitable regions, Charlie faces a terrible moral dilemma that can end only in violence.
Three people from different walks of life find themselves trapped inside a stalled elevator. What at first seems like an inconvenience rapidly escalates into a nightmare.
Trainees in the FBI's psychological profiling program must put their training into practice when they discover a killer in their midst. Based very loosely on Agatha Christie's And Then There Were None.
In this horror anthology film, three girls pledge the most popular - and cruelest - sorority on campus. For their final task, they must tell the scariest story they know. Containing three distinct stories - one featuring a murderous doll, one a has-been actress and her run in with a film crew of the undead and, finally, a hunt-and-kill fright-fest.
Tien, the son of Lord Sihadecho — a murdered nobleman — is taken under the wing of Chernang, a renowned warrior and leader of the Pha Beek Krut.