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David Essex is quite natural looking here, as he develops his "Jim MacLaine" character established in "That'll Be The Day" (1973). Playing the odd gig here and there with his band "The Stray Cats", their roadie "Mike" (Adam Faith) manages to get them an audition with a producer. He takes a bit of a shine to them but changes the dynamic replacing the band leader "Johnny" (Paul Nicholas) with "MacLaine". Any sense of disappointment and rivalry is soon overcome - on the surface, anyway though, as the band go from strength to strength. Eventually they come to the attention of American "Porter Lee Austin" (Larry Hagman) who does a sort of Col. Tom Parker on the man, isolating him and whilst increasing his celebrity and wealth, he also exacerbates the increasing feelings of loneliness and shallowness faced by the star who thrives on the oxygen of fame but cannot readily handle it. Retreating, eventually, to a Moorish castle in Spain, it falls to "Mike" to try and keep his charge from imploding. It is not a great film this - the musical numbers are weak and rather poorly staged. That said, though, it is still a rather potent biopic of a man who became an industry for lots of venal hangers-on who cared not a jot for "MacLaine" so long as he was delivering their meal tickets. Hagman is rather good as the manipulative manager and Faith has some skill depicting the loyal, frequently fed up, friend there to constantly try to pick up the pieces. The ending does let it down a bit - I felt it was something of a cop out - but in the round it is still quite an interesting look at how money, hedonism and a good old dose of human nature can turns rags to riches to rags with no great thought, or effort!
The Alps, late 19th century. Greider, a mysterious lone rider who claims to be a photographer, arrives at an isolated lumber village, despotically ruled by a family clan, asking for winter accommodation.
A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters - one who became his wife, and the other, his biographer.
Let's Get Married is a 1937 American comedy film starring Ida Lupino, who plays the daughter of a political consultant, Joe Quinn. From Wikipedia
Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.
Recently arrived from Recife, bachelor Paulo goes to a party in Rio de Janeiro and there he meets Lucíola, with whom he falls in love. Despite his friend Sá having announced that Lucíola is a prostitute, Paulo begins to experience great love with her, but cannot avoid being jealous.
An embittered old man is obsessed with conquering the Niagara River and Niagara Falls. He endangers his sons' lives by forcing them to challenge the falls by going over them in a barrel.
A young sailor descends from a local train. He goes to a nearby forest, which is full of strange men in medical uniforms behaving in an absurd and eccentric manner. The sailor falls under their influence and masochistically gives himself up to them only to be disemboweled by the werewolf orderlies. The sailor’s last unconscious image is a “white ship sailing towards the horizon”—a Soviet symbol for happiness and joy.
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh
Love From Ground Zero follows three strangers across the back roads of America with the ashes of a mutual friend. Using a series of old postcards as a map, the threesome drive from New York to Montana retracing their friend’s journey “out west” years before. As they try to make sense of the untimely death, they are forced to face the realities in their own lives that have brought them down this unpredictable road.
With her career stalling, her pending marriage still pending and her dreams on hold, Jazz is searching for a new direction in her life. At her sister’s insistence, and with the help of a handsome (and frustrating) young lawyer, she begins working for a local community center teaching adults how to read. Now, Jazz will discover that everything she thought she wanted out of life can change the second you fall in love.