Aladdin and the Wonderful Lamp

Partially lost film. One of the kings of ancient Thebes enters the abode of an astrologer and demands that he be told his future. The former utterly refuses to forecast the coming events of his sovereign, even under the pain of death; but he brings forth a priestess who possesses the powers of divination. This priestess is introduced in a wonderful way: a throne is brought forward, and then a box from which the pieces of a statue are removed and piled up in regular order; the statue suddenly becomes animated. The king implores the latter to foretell his life. She commands him to look through a telescope toward the side of the room. A vision appears. (Moving Picture World)

A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.

Only 8 surviving seconds of a man getting great pleasure from smoking a cigar.

In an outdoor setting, a magician makes pond nymphs and frog people appear out of water and thin air.

In this partially lost silent film, a man working as a motion picture extra in Hollywood westerns impresses a visiting sheikh with his boxing skills and is engaged to go to Arabia, where he becomes involved in warring and falls in love with a beautiful princess.

A press sheet printed in Exhibitors Herald and Moving Picture World in 1928 put forth the suggestion that “people in the need of a good hearty laugh should take this opportunity of getting it” by seeing a newly released comedy by Warner Bros., suggestively entitled Beware of Married Men. Since director Archie Mayo (The Petrified Forest) helmed this feature during the dying days of the silent era, the studio sought to enhance its commercial viability by embellishing the shot-silent picture with a synchronized music and effects soundtrack using the Vitaphone sound-on-disc system. Ultimately, these efforts went for naught, as the picture failed at the box office and quickly disappeared from theaters.

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

The story of two feuding Irish immigrant families living in a tenement.

A free-spirited young girl has three middle-aged admirers, each of whom sees her from a completely different perspective. Unknown to her, they also happen to be the guardians of a wealthy young man to whom she is attracted. Only a small fragment of this film survives.

A prince makes a socialite think she spent the night in his room.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.