Showman

Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.

Brooklyn, U.S.A. is a 1947 English language short film directed by Arthur Cohen, starring Ted de Corsia. It was nominated for an Oscar in the category of Best Short Subject, One-Reel. Preserved by the Academy Film Archive.

United Nations, 1947 - In this film one crippled child learns to walk: first to move, then to stand, and finally to take his first steps. The film deals with modern techniques of physiotherapy, and the need to develop the whole child - his emotions and his mind as well as his muscles - is stressed. Skilled adult workers offer not only massage and therapy, but also love and understanding, and occupational therapy for children and takes the form of both play and work. Movements learned become part of the daily jobs of feeding and dressing. Early attempts to walk are made with the help of apparatus. Finally the initially hesitant steps on his own are taken. As the film ends the boy walks. Preserved by the Academy Film Archive in 2005.

Toward Independence is a 1948 American short documentary film about the rehabilitation of individuals with spinal cord injuries. Preserved by the Academy Film Archive in 2005.

Operation Vittles is a 1948 American short documentary film about the Berlin Airlift, from the initial closure of the city in 1948 through 1949. It explains how, what, and why that supported the city. It was nominated for an Academy Award for Best Documentary Short. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2013.

The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). Preserved by the Academy Film Archive in 2012.

Based on the book by anthropologist Barbara Myerhoff, this Academy Award-winning short documentary offers a tender portrait of a community of elderly yet resilient Jews living, loving, and at times struggling, in Venice, California. From everyday trials to traditional celebrations, this compassionate portrayal of Eastern European survivors cuts straight to the heart of every viewer and reminds us of the joys and realities of long life. Preserved by the Academy Film Archive in 2007.

Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.

An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.