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Why is it that the man who begs for mercy never gives it? The Quick and the Dead is directed by Robert Day and written by Louis L'Amour (novel) and James Lee Barrett (teleplay). It stars Sam Elliott, Tom Conti, Kate Capshaw, Kenny Morrison, Matt Clark and Patrick Kilpatrick. Music is by Steve Dorff and cinematography is by Dick Bush. In 1876 Wyoming, Duncan (Conti) and Suzanna McKaskel (Capshaw) are taking their son and belongings to start a new life out West. But driving through a barely populated tin-pot town, they find themselves beset by a bunch of outlaws run by Doc Shabitt (Clark). Luckily, help may be at hand in the form of tough no nonsense frontiersman Con Vallian (Elliott)?, that is if matters of the heart and secrets of the past do not confuse the issues to hand... How nice it is as a big Western fan to find a television movie that shines bright in genre light. This is wonderfully old fashioned in its setting and telling, simple in plot structure it may be, but pretty much everything falls into place for a pic that for genre fans becomes more than just a time waster. Elliott's calm rugged swagger is in full effect, Capshaw is splendidly tender yet stoic, and much to my surprise Conti proves more than capable as a Western hero in waiting - where his character's back story comes to make sense of the final quarter. The villains are a bit rote, with the usually reliable Kilpatrick barely passable as a rogue Ute Native American, while the child performance of Morrison is hardly a high point. However, pic is set 99.9% outdoors, where we get an absolute ream of glorious Arizona locales to cloak the characters. It has shades of "Shane", which is no bad thing, and thankfully the finale - though not unexpected - is worth waiting for. 7/10
_**Hackneyed plot with mature insights and surprises**_ RELEASED IN 1987 and directed by Robert Day, "The Quick and the Dead" is a made-for-HBO Western starring Sam Elliott as Con Vallian, a mysterious stranger who helps a family heading West in their conflict with a group of ne'er-do-wells. Vallian's desire is piqued by the wife (Kate Capshaw), is that interest mutual? Will the family make it to the Bighorn Mountains alive-and-well or will violence and adultery destroy them? If you don't remember Kate Capshaw, she was the blonde in 1984's "Indiana Jones and the Temple of Doom" and later married director Steven Spielberg. I was impressed with this little-known Western. Although made for cable, it's based on a Louis L'Armour book and is actually better than some theatrically released Westerns. There are flaws, like the kid's questionable acting skills and the fact that the film was noticeably shot in Northern Arizona rather than Eastern Wyoming, but -- all things considered -- this is a solid realistic Western in the tradition of "Shane" and "Will Penny." Don't expect the mythic tone of 1995's big-budget Western of the same name. Highlights include the breathtaking cinematography, a believable and mature approach, Kate's beauty, a hackneyed plot redeemed by quality characters (like Tom Conti as the settler husband/father), insightful drama & plot surprises and, of course, Sam Elliott as the quintessential Westerner. Really, Elliott is as good or – more likely – better than any Western icon you care to name (Wayne, Eastwood, Cooper, Scott, Stewart, Costner, etc.). There are mature and insightful themes, like the undeniable connection of Vallian and Susanna. Most of us can relate: You stumble across someone of the opposite sex and instinctively sense a palpable connection, some kind of profound mutual fascination, yet — for whatever reason — pursuing an intimate relationship is not an option. In an entire lifetime you will only experience a handful such 'connections,' or less. These exchanges are permanent because they are so potent they are forever burned into one's psyche. "The Quick and the Dead" may not be a top-notch Western like "Dances With Wolves" or "The Outlaw Josey Wales," but it's certainly a quality Western and well worth your time. THE MOVIE RUNS 91 minutes. GRADE: B
Wild Bill Hickock and Cannonball help two young people in love and bring the murderer of Cannonball's father to justice.
Terrorists hijack a 747 inbound to Washington D.C., demanding the release of their imprisoned leader. Intelligence expert David Grant (Kurt Russell) suspects another reason and he is soon the reluctant member of a special assault team that is assigned to intercept the plane and hijackers.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
When a woman's father goes missing, she enlists a local to aid in her search. The pair soon discover that her father has died at the hands of a wealthy sportsman who hunts homeless men as a form of recreation.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.
A one-man army comes to the rescue of the United States when a spy attempts an invasion.
Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.
Mercenary John Seeger is one of the best in the business. John and his crew battle some soldiers on Galmoral Island in Southern Africa as they're trying to rescue the French Ambassador - there's a coup going on. Some of John's soldiers unload their machine guns into the Ambassador and his family, blowing the mission and getting his best friend Radio Jones killed. He heads back to the US and visits Radio's wife Shondra to tells her the news, and then promises that he'll take care of her and her son Eddie. But shortly after he makes that vow, Shondra and Eddie get kidnapped.
Straight-arrow policewoman Cooper is excited and thrilled about her next assignment. Her task is to escort Daniella Riva, a wisecracking Colombian beauty, from San Antonio to Dallas so both she and her husband can testify against a drug lord. Plans go awry when Mr. Riva gets ambushed, leaving Daniella a widow. Cooper and her witness must now use their wits to escape from crooked cops and murderous gunmen, while not killing each other in the process.
Ko Chun is an extremely talented and well known gambler. On the eve of a big confrontation with a famous Singaporean gambler, Ko walks into a trap set by Knife, an avid but a so-so gambler, meant for an Indian neighbour. Struck on the head, Ko suffers from amnesia and regresses to a child-like state. Knife takes care of Ko and begins to exploit Ko's gambling talents.