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Chicago P.D. - (Mar 27th)
My 600-lb Life- Where Are They Now - (Mar 27th)
Paul American - (Mar 27th)
The Conners - (Mar 27th)
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The Tucker Carlson Show - (Mar 26th)
***“Braveheart” in the Libyan desert with Quinn, Reed and Steiger*** After twenty years of failing to remove Bedouin rebels during the Italian colonization (aka invasion) of Libya, Mussolini (Rod Steiger) sends formidable General Graziani (Oliver Reed) in 1931 to take care of the problem. Anthony Quinn plays the titular protagonist and leader of the freedom-fighting Libyans. Did you ever wonder why “Lion of the Desert” (1980) is so obscure? It cost $35 million, has three big name stars, was shot on location and is epic in scope, but it only grossed $1 million worldwide and sits alongside other big money losers of the time period, like “Heaven's Gate” (1980) and “Inchon” (1981). Was it because it was supported by Gaddafi? Was it because it portrayed the Italians in a bad light and freedom-fighting Libyans as the protagonists? Or maybe it simply lacked the pizzazz to draw audiences. For me, it’s the last one. Don’t get me wrong, there’s a lot of good in this historical film and the movie perks up whenever Steiger and Reed are on the screen; Quinn too, but less so. And you can’t beat the authentic locations and action/adventure; the cliff-gorge battle, for instance, is a treat. Yet there’s something meh about the overall proceedings. It lacks the artistic style of “Lawrence of Arabia” (1962). It doesn’t help that the first act is relatively tedious and the action doesn’t kick-in until the 40 minute mark. Since the movie lights up whenever Reed and Quinn are on the screen (Steiger’s Mussolini being a minor character), the script should’ve focused more on their characters. When these two opponents finally confront each other at the end it’s gripping drama. But the rest of the movie isn’t so compelling, disregarding the positives noted. Furthermore, the propagandizing Libyan bias is laughable. Still, if you like flicks like “Lawrence of Arabia” and “Braveheart” (1995), it’s worth checking out. The movie runs 2 hours, 54 minutes and was shot in Libya and Italy. GRADE: C+
This is a curious hybrid of a film - it brings together some elements of "Gandhi" (1982) , "Khartoum" (1966) and even "Spartacus" (1960) to illustrate a theatre of war for Fascist colonialism of which I was largely unfamiliar. Rod Steiger (Mussolini) has decided that Italy must get in on the act of colonial powers in North Africa - and deploys General Graziani (Oliver Reed) to cement their invasion of modern day Libya. His job is continually thwarted, however, by the tenacious and shrewd Omar Mukhtar (Anthony Quinn), who leads an effective resistance - and has done for some twenty years. Despite facing overwhelming technical superiority, Mukhtar continues to defy his would-be overlord and the film depicts many a scenario as his people refuse to capitulate. Oliver Reed only really had one style of acing, and it wasn't the best - but he is somewhat more in his element as this calculating, at times brutal, soldier. The action scenes are well made; the battle scenes realistic and there is plenty of grand cinematography (some from Libya, itself) to help his character's megalomania develop nicely. Quinn features sparingly, his sheer presence does most of his acting, for he has few lines, and there are also a few almost compassionate scenes from Raf Vallone (Col. Diodiece) as history takes an inevitable course. The dialogue is what lets this down, it's rather stiltedly written and barely audible at times, but at almost three hours is marries elements of adventure and history quite efficiently. Worth a watch...
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
The story of British officer T.E. Lawrence's mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements.
Austrian mountaineer Heinrich Harrer journeys to the Himalayas without his family to head an expedition in 1939. But when World War II breaks out, the arrogant Harrer falls into Allied forces' hands as a prisoner of war. He escapes with a fellow detainee and makes his way to Llaso, Tibet, where he meets the 14-year-old Dalai Lama, whose friendship ultimately transforms his outlook on life.
The film was directed by Giuliano Cenci with assistance from his brother Renzo. During production, Carlo Collodis grandchildren Mario and Antonio Lorenzini were consulted. The subtle movements made by fidgeting children whilst speaking or under scrutiny were incorporated into Pinocchios movements, particularly when he lies to the Fairy with the Turquoise Hair over the fate of his gold coins. For the design of the Fairy, Italian portrayals of the Blessed Virgin Mary in art were used as starting points.
A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father's cook, an African named Owuor.
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.