War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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The One Show - (Mar 29th)
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Gogglebox - (Mar 28th)
Just like the first film, this one also takes you to a very special journey you can never forget. The honesty of the characters and how relatable they are is what made the first film so charming and unique applies to this film too. These two films have a very special place in my heart. Would I watch it again? Absolutely! Would I make my friends watch it? Definitely.
Well hats off to John Madden for managing to reassemble the cast from the first film from four years earlier, and for securing the sparing services of Richard Gere but I'm afraid the rest of this is all a poor cousin. With the hotel now more successful, "Sonny" (Dev Patel) and "Mrs. Donnelly" (Dame Maggie Smith) are in the USA trying to seek funding for them to expand, and to buy the former women's palace for their next venture. Returning, and expecting an inspector to come and evaluate their business they greet the arrival of writer "Chambers" (Gere) and of new guest "Lavinia" (Tamsin Greig) in slightly different manners - and that's the first mistake for "Sonny"! The first film had a freshness to it, they (and we) were are all exploring a new life with new opportunities in a new bustling city: this is a much less joyful affair. Everyone appears to be looking towards the end; the characters are much flatter and slightly more depressed. The mischievous characterisations from Ronald Pickup and Celia Imrie have entered a rather uninteresting cul-de-sac. Familial discord between Sonny, his fiancée and his mother is all just a bit too convoluted and the story just, frankly, runs out of steam. Patel exudes charisma, he does way more to carry this than any of others and in the end comes up with quite a decent bit of dancing too. It's colourful and it's doesn't hang about, but Dame Maggie, in particular, has lost much of her curmudgeonly charm and Dame Judi really rather simpers through the film with little of the spark we saw before. To be honest, I'm not really sure the first film really merited a sequel at all. This one is really not very memorable and Richard Gere's character adds very little indeed.
Two zanies open a photography studio. They score a partnership with a gossip magazine that suddenly thrusts them into a world of corruption, murder, and hijinks.
This is the story of 1970s African-American action legend Black Dynamite. The Man killed his brother, pumped heroin into local orphanages, and flooded the ghetto with adulterated malt liquor. Black Dynamite was the one hero willing to fight The Man all the way from the blood-soaked city streets to the hallowed halls of the Honky House.
Frank Galvin is a down-on-his-luck lawyer and reduced to drinking and ambulance chasing, when a former associate reminds him of his obligations in a medical malpractice suit by serving it to Galvin on a silver platter—all parties are willing to settle out of court. Blundering his way through the preliminaries, Galvin suddenly realizes that the case should actually go to court—to punish the guilty, to get a decent settlement for his clients... and to restore his standing as a lawyer.
A British engineer in India takes a simple native girl as his bride, an act which defies social strictures and leads to tragedy.
Two female scam artists, one low rent and the other high class, compete to swindle a naïve tech prodigy out of his fortune. A remake of the 1988 comedy "Dirty Rotten Scoundrels."
Marigold Lexton, an American actress who gets stranded in Mumbai and lands a minor role in a Bollywood musical. She meets Prem, the film's choreographer, and undergoes a personal transformation as she experiences Bollywood firsthand.
A group of young people decide to make a horror film about a character named Alajen (myth) in Lankaran. This is when Alajen becomes real. Can these young people make friends with Alajen, or do they leave the filming and return to Baku?
After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.
Fresh out of rehab, Rona returns to the Orkney Islands—a place both wild and beautiful, right off the Scottish coast. Now 29 and after more than a decade of living life on the edge in London, where she both found and lost love, Rona attempts to come to terms with her troubled past. As she reconnects with the dramatic landscape where she grew up, memories of her traumatic childhood merge with more recent challenging events that have set her on the path to recovery.
Two detectives observe an escaped convict's ex-girlfriend, but complications set in when one of them falls for her.