Cha-Cha-Cha

Electric Apricot is a spoof of jam bands centered around the band, Electric Apricot, in the style of "This Is Spinal Tap"

Closure is the 12th official Nine Inch Nails release. It consists of music videos interspersed with snippets from educational films, as well as exclusive footage shot by Peter Christopherson including antics by Nine Inch Nails and their tour guests: Marilyn Manson, Jim Rose Circus and David Bowie. Originally scheduled to be released on DVD in 2004, the disc appeared on internet torrent sites in 2006, including behind-the-scenes footage of the "Closer" video with commentary by Mark Romanek. Fans speculate that Reznor may have been the source of this leak.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

On tour promoting their 2002 studio album ‘A Rush of Blood to the Head’, English pop rock band Coldplay performs a live show at the Hordern Pavilion in Sydney, Australia in July 2003.

It's not easy to be Barry. An earthworm gets no respect. He lives at the bottom of the food chain. But one day, an old disco record turns his life upside down. Suddenly he sees before him his own destiny, the star of the world's greatest disco band: Sunshine Barry & The Disco Worms! Okay, he's got no arms, no rhythm and no band. But as Barry says: "We'll do it anyway!"

The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.

VH1's annual Mother's Day celebration salutes moms everywhere. Anthony Anderson and La La Anthony hosted the event, which included performances by Ashanti, Monica, Luke James, H.E.R., Shai and SWV. T.I. paid tribute to the women in his life, including his wife Tameka "Tiny" Harris, and on behalf of the #SeeHer movement, Ciara honored moms who've made strides in advertising and media.

Max Washington has just been released from prison after serving time for burglary. He returns to his old hangout, a hoofer club. His old girl friend, Amy, who still works at the club as a Tap instructor, is less than thrilled to see him. Her father, Little Mo, is happy to see him, because he has plans for a show involving Max. In addition, Max's old partners in crime have another job for him.

Any Given Thursday is a live CD/DVD by John Mayer, recorded in Birmingham, Alabama at the Oak Mountain Amphitheater on September 12, 2002, during the Room for Squares tour. The album quickly peaked at #17 on the Billboard 200 chart. It features mostly songs from Room for Squares.

After the sudden passing of his wife, Stan ignores his overwhelming grief only to be faced with an unavoidable 20-piece punk marching band that floods his world with boisterous, interminable song.

The con­cert begins. The music is sub­lime. Not even a pin would dare drop. Sud­denly, a cell­phone rings and the mad­ness starts. The pianist loses his hand, the vio­lin­ist, while tun­ing, falls asleep, and later wakes up in the mid­dle of a motor­way, trans­formed into a “River­dancer”. When the pianist returns, the piano is locked, telling him to insert his credit card. Mean­while, the vio­lin­ist loses his bow to a vac­uum cleaner and his part­ner just talks on the phone while read­ing a paper, eat­ing, and, play­ing the piano upside down all at the same time. These and many other “night­mares” unfold before audi­ences’ eyes and ears. “A Lit­tle Night­mare Music” is a unique show, full of vir­tu­os­ity, enchant­ing music and zany, out­ra­geous humour. Ideal for audi­ences aged 8 to 88, this show is sure to cap­ti­vate you and crack you up whether you’re a clas­si­cal music enthu­si­ast or the type who runs for cover, at the mere men­tion of Mozart.