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I ran down like a clock. It was just as though I'd been wound up too tight and the spring broke. The Man I Love is directed by Raoul Walsh and adapted to screenplay by Jo Pagano and Catherine Turney from Maritta M. Wolff's novel. It stars Ida Lupino, Robert Alda, Andrea King, Martha Vickers, Bruce Bennett, Alan Hale and Dolores Moran. Cinematography is by Sidney Hickox. Loved by some, not so by others, Walsh's film is pretty much a soap opera meller with some faint noir shadings. The plot, that has more holes than a bullet riddled bucket, sees Lupino's torch singer return home for the holidays and complications arise in the love and lust department - for her, her family, and the ruthless nightclub owner played by Alda. There's a mature look at womanhood and masculinity in the post war years, with a poignancy factor boosted by it being set around the Christmas holidays. As usual Lupino is as watchable as ever - in fact into the bargain she's very sultry here as well - and there's some nifty noirish dialogue. However, as the story is intent on reflecting upon damaged love across the board, there's a distinct lack of fatalism or bitter cynicism to be found, thus explaining why many have be forced to put it in the soapy meller category. This is good film making, but for entertainment purpose it helps if you go into it not expecting a hidden film noir gem, but a pic of unhappy people wandering aimlessly in a melodramatic fog. 6/10
To escape her overprotective drug-dealing stepfather, an introvert flees to NYC with her pet flying squirrel. After successfully reinventing herself through the help of some "found family," she realizes she must return home and confront her dark past, to truly be free.
Set in Red Hook, a Brooklyn neighborhood on the verge of gentrification, GOOD FUNK follows three generations of citizens whose lives intersect through acts of kindness both big and small.
An examination of the romantic life of a young man in New York City and his sometimes fleeting, sometimes profound experiences with the women he encounters.
Nora Ryan, a poor Irish girl, living in New York decides to change her life by working as a personal maid for the wealthy, Gary family.
When a hard-working single mother, Sara Diaz, has her children taken from her after she is suspected of injuring her son, Ally Fisher, a recent law school graduate, is assigned to represent her case before Judge Martha Schulman, a veteran of the Family Court System.
It's the summer before 6th grade, and Clark is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act 'more black,' he fumbles to meet expectations, while his urban intellectual parents Mack and Gina also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context.
14 years after their budding romance in high school, Rangga and Cinta reunite in Yogyakarta to have their closure after Rangga had left Cinta with no explanation years prior.
A reckless joyride into the darkest corners of popular music that delves deep into the mind of Mick Rock, the genius photographer who immortalized the seventies and the rise to rock stardom of many legendary musicians.
In 1991, a long-form music video version of Goo was released on VHS and LaserDisc. A music video for each song from the album was included; the track listing was identical to that of the original album.
There are no queens and very little Broadway (except for an opening establishing shot) in Queen of Broadway. Instead, this sentimental B-picture is the story of a gambler (Rochelle Hudson), who tries to clean up her act and adopt an orphan (Donald Mayo).
