Downtown '81

A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.

As not-quite-orderlies who're downright Disorderlies, rap-music favorites The Fat Boys rule. Playing the freewheeling caretakers of the frail Dennison, they stir up a comedic culture clash in Palm Beach society that only proves laughter is the best medicine this side of a tax refund.

A screenwriter travels to an abandoned house to finish a script on time, but a series of strange events lead her to a psychological breakdown.

When a young deli-counter clerk and general slacker in New Jersey accidentally saves a young woman from a serial rapist, he becomes convinced that his new role in life is to become a vigilante.

Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.

When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.

After a tragic accident caused by the truck of the middle-aged Carl Lee where a woman dies with a crushed stern, he is arrested and sent to the county jail. His son PJ, who works washing dishes and cleaning tables in a restaurant, feels lost, without financial support to keep his father's house, and is fired from his job and evicted from his house.

When schoolteacher Kieran Johnson discovers that his father was not a French sailor (as he had been led to believe) but rather an Irish farmer, he looks to his mother for answers. When she refuses to provide any, Kieran travels to Ireland.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

Three former band mates enter a cave after hearing it has the power to give them what they need. As unsettling desires rise to the surface, they all wonder if the cave has real power.